I can’t believe I’ve never seen a single episode of the BORIS KARLOFF-hosted anthology series THRILLER before. I have several excuses as to why not but they make me sound stupid, so I’d rather not share them. Thankfully the fates stepped in and forced the issue. I was watching something on YouTube the other day when an episode of THRILLER popped up as a suggested next watch on the side. All I saw was a title card which read “Parasite Mansion” and I was sold. I can’t resist a title like that, it sounds like the name of my new favorite band. Well, I must have watched the best episode first because I find it hard to believe there’s another one better than “Parasite Mansion.” It’s all downhill from here. It’s like a swampy pitstop between THE OLD DARK HOUSE (1932) and THE HOUSE OF 1000 CORPSES (1932) and it features SPIDER BABY‘s (1967) BEVERLY WASHBURN as a tortured waif plagued by a poltergeist who is holed up in a decrepit room clinging to a rag doll and scribbling gibberish on the walls. The word “jackpot” comes to mind.
Like all great stories, this one begins with car trouble, the kind of trouble that occurs when someone blows out your tires with a shotgun while you’re driving through the woods on a dark, rainy night. PIPA SCOTT plays Marcia, a thoughtful woman with (Ginny Field-style) psychology on her side who wakes up in a cob web strewn, Southern gothic mansion and is kept against her will by a family of lunatics all bent on keeping a supernatural secret. I won’t say anymore because I don’t want to ruin anything but I must add that JEANETTE NOLAN as bonkers ringleader Granny Harrod is through the roof, over the moon, one for the books, phenomenal. I found her so mesmerizingly hideous that my pupils turned to hearts. I love a good hag and Granny Harrod is like the haggiest hag who ever hagged. It’s so sad she can’t be in every episode of THRILLER.