Below you will find 13 images from 13 terrifying horror themed video games. How many can you identify before GAME OVER?
March 24th, 2017 by unkle lancifer · 9 Comments
March 22nd, 2017 by unkle lancifer · 5 Comments
Terrific site. I was wondering if you could help me with a half-remembered TV-based trauma from my childhood.
My brain’s telling me it was a scene from an American TV series, like Columbo, although it could have been a made for TV movie, and it would have been shown during the day on UK TV around the end of the 1970s (possibly beginning of the 1980s)
I remember a woman at home, alone, trying to track down the source of the sound of a baby crying. She kept looking around the house trying to trace where the noise was coming from and eventually narrowed it down to the cupboard under the stairs. She slowly opens the cupboard door and inside finds a Victorian doll, slumped motionless on a chair. Cut to the next scene and cue me running from the room, unable to tell my mum what I’d seen.
My brain’s probably filling in the blanks, but it may have involved a tape recorder/dictaphone next to the doll which was producing the crying sound (maybe to send the woman mad/chase her from the house.)
It wasn’t Spielberg‘s ‘Something Evil‘ (which also features a following-the-sound-of-a-crying-baby moment) as this wouldn’t have been shown during the day.
I’d be grateful for anyone’s help on laying this to rest and can only apologise that there isn’t much to go on.
Thanks in advance
UNK SEZ: Thanks, Alex! I have a vague suspicion that what you may be looking for is 1978’s NIGHT CRIES? It’s a made for TV movie that is all about a mother (SUSAN SAINT JAMES) whose baby died in childbirth and is haunted nightly by the sound an infant crying. It fits the time period and it also stars WILLIAM CONRAD (CANNON) which might explain the “Colombo” vibe. NIGHT CRIES is available on YouTube (first part below) so you can check it out to verify. On the other hand, I may very well be wrong so if anybody has any other guesses or suggestions feel free to share your ideas!
March 19th, 2017 by unkle lancifer · 6 Comments
Here comes one last icy blast of winter! Let me tell ya, one of my most favorite memories of seeing a movie in the theater was when I first saw DEAD OF WINTER way back in the olden days. My first year of college I had no TV but I happened to be renting a room in a small town that had a movie theater that showed second run movies all week and had a magic show on the weekends (shout out to the incredible Cabot Street Theater in Beverly, Mass!). It was great because I went and saw basically everything they played regardless of genre and they changed their movies several times a week.
DEAD OF WINTER has some kind of moody goth-lite charisma that hits me exactly where I grimly live. I’ve been fascinated by cold and distant HITCHCOCK-worshiping, high-maintenance psychological thrillers since 1982 when I became the world’s first and only STILL OF THE NIGHT super-fan. Nothing butters my bread better than a dark and stormy night, a female lead who may or may not be losing her mind and a big old dark creepy house with plenty of visual details to repeatedly explore. If the lady in question is playing multiple roles as the great MARY STEENBURGEN does in this, that’s all the better. Sign me, my cat, my STAR WARS blanket and my whiskey up!
This is one of those special movies that I feel I have to have on both DVD and VHS; the DVD is for serious viewing and the VHS is for me to fall asleep to. Is that wrong? I can’t help it. I love it so. DEAD OF WINTER is all about what happens when you loose your identity trying to be all things to all people (a goldfish in a plastic bag- best symbolism ever!) and how you can never, ever trust people like RODDY McDOWALL. It’s directed by the brilliant ARTHUR PENN (BONNIE AND CLYDE) and am I the only person who thinks STEENBURGEN looks exactly like KATE BUSH? There’s a scene in DOW where she struggles to climb up a steep wooded hillside and every time I watch it I hear BUSH’s “Running up that Hill” in my head. This is one of those go-to comfort movies that I return to over and over again. If you have never had the pleasure before, check it out on COMET TV today at 2pm HERE!
March 18th, 2017 by unkle lancifer · 1 Comment
UNK SEZ: Hey! We have a special guest today! It’s CHRIS MOORE the writer and director of the super creepy BLESSED ARE THE CHILDREN! Check out this trailer and then read Chris’s ode to the VHS tape of PROM NIGHT below!
Picture it! (Sicily. Just kidding.) A young fella of about 7 sneaks out of his bed at 2 a.m. on a school night to watch a “naughty” movie on FOX called Prom Night. I’d already seen the first two Halloween movies (on USA Network, so they were edited for content) and loved Jamie Lee Curtis, so it made sense that, when I saw this listed in Sunday’s TV Guide, I’d have to find some way to watch it. I tiptoed into my Dad’s office where the tiny TV was and turned it on, making sure the volume was barely above a whisper, so as to not wake anyone up. There I stayed for the next 2 hours, transfixed by this lurid story of family secrets, murder, and disco.
Sure, I was super tired the next day at school, but it didn’t matter. I’d had a rite of passage. I’d disobeyed my parents and been rewarded for it by seeing a super cool movie. It was only natural that I’d want to relive this experience over and over again, so I set out that Friday to find Prom Night on VHS. Blockbuster didn’t even have it. In fact, I believe they only had Hello Mary Lou: Prom Night II. To this day, I’ll never understand why one would have to go from video store to video store just to see all the installments of a franchise. You’d think they’d all want to carry all the installments. Don’t even get me started on how impossible it was to find a copy of Friday the 13th Part 2 a couple of years later.
I checked our local mom & pop store, Video Library (which I still consider to be more important to my film education than film school) and SCORE – they had one. There it was – cut into a small white clamshell was Jamie Lee Curtis staring at us from the school hallway with a bloody axe tucked into her prom bouquet. It was quite an image, but having seen the film, I was a bit taken aback. After all, Jamie Lee’s character isn’t the killer and she’s not even really the lead. It was probably my first taste of how film companies can mislead audiences through weird marketing gimmicks. Still, it was freakin’ Prom Night and I couldn’t wait to watch it again. I was allowed to rent it on one stipulation – my Mom and Dad would have to watch it with me and, if there was anything objectionable, they’d turn it off. I was fine with that.
I got home and put it in and noticed how terrible the picture was. I mean, this movie was DARK. It looked like it was shot with a flashlight and that’s it. My parents seemed both amused and sort of bored by the film, but I was still eating it up. I don’t even remember my Mom staying for the whole thing, but I know my Dad did, because he was surprised by the killer reveal at the end.
It was a year or so later that my Mom and I were at a different video store called Home Video. It was located a little bit past where my Grammie lived and it was more of a schlep than Blockbuster or Video Library (which were, at most, 2 or 3 miles from home), but this was a new experience and a special treat for going to flag football practice at the YMCA (yes, I had to basically be bribed to go). As a growing film fan, I was excited to check out all the local video stores in the hopes that they’d have something the others didn’t.
Turns out, they did. They also had a copy of Prom Night (not to mention ALL of the sequels. Way to go, Home Video!), but this one was completely different. It was older, more beaten up, and bleached from years of sun tanning next to the large windows in the store. This version had two spooky eyes surrounded by darkness and a gloved hand gripping a large shard of glass with a screaming woman hanging upside down in its reflection. It was even more eye catching than the version Video Library had. This was from MCA Videocasette, Inc. and the Video Library version had been released by New Line Home Video. At that age, I marveled how one film could be released by so many companies (I clearly didn’t understand what licensing meant or know about the OTHER versions released by both Virgin Vision, Starkmaker, and Anchor Bay).
I proudly grabbed this box from the shelf along with copies of Friday the 13th Part 7: The New Blood and A Nightmare on Elm Street 2: Freddy’s Revenge and took them to the front desk where the employee had to go to a back room and find the brown clamshell cases with the responding videos. It was certainly more complicated than either Blockbuster or Video Library, but I knew it would be worth it. After all, this release of Prom Night might be one with better picture, where you can see what’s going on during the last act of the film.
Imagine my disappointment when the employee came back and said that he couldn’t locate the tape for Prom Night. I was crushed, but was reassured that maybe they’d find it soon and to check back again. I did check back. A few times. They never found it, but I was desperate to. I went to a few other video stores and they didn’t even have the film at all (but, yes, most of them had ALL the sequels).
It wasn’t until I discovered the magic of eBay around ’02 or ’03 that I was able to locate a copy of this mysterious tape and give it a spin. Turns out, the picture was only barely better than the New Line and TV versions I’d seen. It would take Anchor Bay releasing a widescreen DVD (sourced from an Elite laserdisc) a few years later to finally get to see most of what was going on and it would take the geniuses at Synapse a few years ago to give us the definitive version of the film on Blu-Ray – colorful, as sharp as a film with much soft focus photography can get, and well-lit during the darker scenes. Turns out, there was actual thought put into the cinematography of this film. Who knew?
If I’m being honest, I’ve never understood why Prom Night has such a hold on me. The pacing is iffy, it’s never truly scary, the death scenes are nothing to write home about, and the entire film has a sort of run of the mill TV movie feel to it, but god damnit, I adore it. I think it’s just so darn cozy and the ending is unlike just about any other slasher movie I’ve seen. It packs an emotional punch and I love that. I’ve gotten to see it on the big screen in 35mm (with the original Avco Embassy logo, which has never been attached to any home video release) and I damn near sobbed. I have issues.
March 17th, 2017 by unkle lancifer · 13 Comments
Happy Saint Patrick’s Day! Let’s say we visit some of our favorite horror watering holes! Below are ten images of ten bars from ten horror movies. How many movies can you identify? Good Luck!
March 14th, 2017 by unkle lancifer · No Comments
When I was a little kid living in California during the seventies, I’ll never forgot one of our neighbors (who worked in the biz!) handed out small movie posters of KING KONG (1976) for Halloween! I was just the type of weird kid who would much rather have a miniature advertisement featuring a giant ape crushing a plane while straddling the World Trade Center than any known form of candy (keep in mind that SOUR PATCH KIDS had not been invented yet). This past Friday when I went to the very first showing (Thursday is for cheaters) of KONG: SKULL ISLAND, the disgruntled dude that took my ticket handed me just such a miniature poster featuring the brand spanking new KONG movie’s promotional artwork! Yes, I got sorta giddy and yes I rolled it carefully, tied it with a napkin from the concession stand (I’m a genius) and put it in a protective plastic grocery bag that I just happened to have in my back pocket from walking my niece’s dog, Nelson. So basically, I was sold on this movie before I sat down in a chair- just so you know.
I feel guilty that I haven’t been writing many reviews for current movies lately. It’s not that I don’t go see them it’s just that I’ve needed the escapism of film so much that I am loath to taint the therapeutic experience with critical thought. Scanning entertainment with a laser eye is not a luxury my mental health can afford right now. These days when I’m watching a movie and my brain tries to be smart and point out illogical discrepancies, I politely tell my brain to shut the hell up and remind it how little its annoying opinion has gotten us thus far. There are so few enjoyable places in the world and I refuse to hand over the haven of the multiplex. If I want a nonstop mudslide of inconsequential jabbering I’ve got the Internet for that. I’m not talking about leaving your brain at the door when you see a movie, I’m talking about taking your brain, wrapping a bonnet on its head, shoving it in a baby carriage and pushing it down a long hill in the opposite direction of the theater, preferably one of those steep San Francisco hills as seen in WHAT’S UP DOC?. Hopefully it will run into two guys transporting a large plate of glass.
Naturally, I had a fantastic time with KONG: SKULL ISLAND. I left the theater feeling ten years younger and with my posture improved. For a would-be blockbuster it’s rather muted and easy on the eyes; obviously borrowing visual tips from the more grounded cinema of decades ago. It clearly has an aspiration to ape (haha) APOCALYPSE NOW and hey, there’s nothing wrong with setting your sights high. The visual effects are seamless and I’m looking forward to never having to discuss CGI again. It’s as convincing as any dream and that’s good enough for me. The nostalgic tone is solidified by the extensive eclectic cast who I can easily envision being featured in tiny profiles squares at the bottom of a disaster movie poster. JOHN GOODMAN rules as usual, SAMUEL L. JACKSON menaces like a pro and JOHN C. REILLY steals every scene not nailed down. In addition, I found BRIE LARSON fetching and I think SHEA WHIGHAM is the coolest. Plus I love KONG. He’s more than a giant monster to me. He so perfectly represents all the beautiful wildlife that we’re all going to burn in hell for destroying…. Oops, I guess I didn’t leave the real world behind as much as I thought. It all boils down to this; If you’re in the mood to see a giant monkey punch a giant octopus in the face- this is your best bet!
March 12th, 2017 by unkle lancifer · 2 Comments
TOM SAVINI’s 1990 refurbishing of his buddy GEORGE ROMERO’s immortal NIGHT OF THE LIVING DEAD has got to be one of the most underrated remakes of all time. I’m not surprised folks were skeptical before it hit the big screen but I’m more than a little shocked anyone was able to cling to their cynicism by the time the end credits rolled. It’s so darn good! Personally, I thought I had witnessed the vital birth of a Ripley-esque heroine in the revamped Barbara (PATRICIA TALLMAN) and I was stunned to later find critics giving the whole rip-roaring anti-adventure a cold dismissal (How could you, EBERT?). What’s worse, even horror fans shrugged it off and snidely shunned it. I have faith that most of those naysayers have changed their tune by now but how could they be so blind in the first place? Ugh, I guess some people really need to trash some things in order to prove their love for other things, which is pretty stupid because you can easily love both!
Every remake has its work cut out for it and this particular one had some extra big shoes (or coffins) to fill. Is it possible people were extra biased because they figured special effects guru SAVANI would deliver the ultimate gorefest? Well it just so happens, I like my undead like I like my everything- and that’s on a small scale and in a very limited space. SAVINI cut his directorial teeth directing TALES FROM THE DARKSIDE episodes and that could explain part of my mad devotion; something about that series singularly scratches a psychological itch for me. SAVINI’s take almost feels like an extended DARKSIDE episode and that’s so up my nightmare alley. I’m not the type who thinks SAVINI walks on water but I have to say whoever is responsible for this particular end product has got some serious chops. The score even has that strange minimalist keyboard routine going on and the meager budget insures everything remains looking backyard regional and lived in. The atmosphere is so convincingly nihilistic and morbidly depressing that the entire excursion acts as a cathartic purging of negative vibes. And how can anyone look a gift horse in the mouth when its front teeth are genre legends TONY TODD and BILL MOSLEY? Meanwhile, a motion picture is worth more than a zillion words and you can check this fine flick out for FREE thanks to super cuddly CRACKLE right abouts HERE!
March 11th, 2017 by unkle lancifer · 1 Comment
GROTESQUE (1988) is a hilariously weird (and possibly terrible) movie that you should watch immediately because it stars four of the greatest people who ever lived: LINDA BLAIR, DONNA WILKES, TAB HUNTER and the late, great ROBERT Z’DAR. If you dig gawky, inexplicable exploitation, it’s a bountiful bargain because you get a gory monster movie and a dippy punk rock home invasion thriller at the same time. If you’re interested in eighties-era make up effects it’s a treasure trove and if you pay close attention, you may even catch a glimpse of your favorite HALLOWEEN 3 mask! But who cares about the movie? It’s VHSaturday and I’m here to sing the praises of the incredibly unique (and possibly terrible) cover art!
The first time I bumped into this off-putting illustration was when it appeared as a full-page ad on the back of (I believe) GORE ZONE magazine. I was taken aback by its heavy-handed high school stoner surrealism and its plucky reliance on a puke green background. I didn’t actually like it at the time but it successfully relayed in me a feeling of out of bounds, unsafe territory. At about the same time, I had a similar reaction to the cover of the VHS of 555 (1988). Both boxes actually fit rather well with the GORE ZONE esthetic, which often paired earthy, harsh horror elements with contrasting bright fluorescent fonts and borders. I love that! The end result is garish and even ugly but I think it works in instilling borderline nauseous dread. I didn’t want to see this movie and then of course, I simply had to. Where did I finally find this thing? It doesn’t look like a tired rental. The tape inside is pristine!
Plus, it’s from good ol’ MEDIA HOME ENTERTAINMENT and it must be pretty close to the end of their fine run (they were kaput by ‘93). I can’t tell you how much seeing the MEDIA logo informed my rental choices in the early days of home video. I mean HALLOWEEN, HELL NIGHT, BLOOD BEACH and TOURIST TRAP…so many! They had all the good stuff! I can’t say whether my brain consciously recognized it at the time but I do know that the silver MEDIA logo still lights a little fire of anticipation in my heart. And how about that tagline? You can’t beat “There is a fate worse than death…” for stoking apprehension. Later in life I would learn to be weary of VHS boxes with few actual images from the movie to share. I would eventually come to expect there was something to hide but in this case keeping the mystery alive really worked- at least it did for me. I know, it looks tacky, I know it looks cheap and I know it looks GROTESQUE! That, as it turned out, was just what I was looking for.
March 10th, 2017 by unkle lancifer · 8 Comments
I’m at the movie theater because of that KONG: SKULL ISLAND. Below are ten images from ten movies featuring giant monsters. How many of these giant monster movies do you recognize?
March 6th, 2017 by unkle lancifer · 1 Comment
I’m about 23 now and I have a VERY vague memory of something I saw that scared the crap out of me when I was 7 or 8 years old. I don’t know where it was, I want to say Sesame Street since I watched it so often, but I also watched Cartoon Network back then and it might have been from there.
It was this red (possibly orange) demonic looking thing animated in CGI. It may have appeared on a screen or monitor. It had these creepy yellow eyes and I recall a mouth that looked like a vent… I remember it had a deep evil voice, and that at one point it said “Who am I?” and laughed evilly. That’s the ONLY thing I remember about it.
I saw it for a short time and every time it appeared I’d run out of the room. If this was SS, I think they took it off because it was scary. This thing gave me nightmares and I wanna know what it was!