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Long-time reader, first time….er….responder. I usually read Kindertrauma at work (shhh don't tell) so I don't have much opportunity to post. However, that's not stopping me from replying to your invite for getting to know the horror community. Hope you like.
It's a Horror to Know You: Mayday
1. What is the first film that ever scared you?
The Incredible Shrinking Man – I have always been severely arachnophobic, yet as a child I watched this film several times on Saturday's Dr. Schlock Theater (or something like that) despite how horrific the spider battle scene was. Somewhere around that time I also saw Jaws, which gave me nightmares for about a week, as my mother predicted it would. Additionally, I watched Beware! The Blob around this period, which traumatized me, yet I viewed it till the end. Twice.

2. What is the last film that scared you?
Insidious – At this stage of my life I consider myself mostly immune to the powers of 'scary movies'. But Insidious caught me off guard several times. James Wan and Leigh Whannel pulled out all the stops on this one, creating an atmospheric and deeply disturbing old-school horror flick. It had a nice mix of excellent jump scares paired with a creepy aura to challenge even the most stalwart of horror aficionados.

I do have to give a close runners-up shout out to the first two Paranormal Activity films. They proved that less can be more and re-established a true movie-going experience with these unsettling films. Hearing everyone else in the theater emit a collective gasp got my heart racing several times. PA3 had a couple of scenes that managed to equal its predecessors, but overall wasn't as effective.

3. Name three Horror movies that you believe are underrated.
The Ruins – While on vacation in Mexico, a bunch of (actually likeable) college-age kids go in search of an archaeological dig at some ancient Mayan ruins. They discover something far more sinister atop the temple than even the villagers who won't let them leave. The film is as creepy, dark and vicious as the book, both of which were penned by the amazing Scott Smith.

The Saw sequels – Unlike most horror series that continued past three entries, the Saw films always stayed true to the narrative and rules established in the original. The movies are clever and always move the story forward. Calling them mere torture porn with no redeeming value is wrongfully dismissive of them.

House (1986) – Though the effects are dated today, back in the '80s, this film was scary. And tense. And cool. And full of awesome 80s TV actors – William Katt (The Greatest American Hero), George Wendt (Norm from "Cheers") and Richard Moll (Bull from "Night Court").

4. Name three horror movies that you enjoy against your better judgment.
The Devil Inside – I know everybody and their brother hated this film, mostly because everybody and their brother went to see it its opening weekend thanks to the hype, and were ultimately disappointed in it. I was prepared to find it to be utter dreck, but I actually discovered it to be effective and spooky. And I quite liked the "no definitive resolution" ending. Movies don't need to be wrapped up with a pretty bow.

April Fool's Day (1986) – The story plods along, the script is lame and the scares aren't all that and a bag of chips. It has subpar special effects, and a ludicrous plot. But for some reason I enjoyed the hell out of this when it first came out and still do to this day.

The Wicker Man (2006) – Nic Cage proves once again that he has no idea what a fitting role for him is. He over-emotes his way through a hodge-podge script that in no way compares to the original. But his inevitable fate in the movie alone makes it worth watching. Who wouldn't love the chance to break his legs and set him on fire?

5. Send us to five places on the Internet!
Final Girl – Stacie Ponder has some of the wittiest, snarkiest, most insightful commentary in the history of….ever!
Lost Highway – Some of the funniest write-ups of some of the crappiest B-films.
Quiet Earth – Reviews and sneak peaks of horror, sci-fi and indie films, many of which come from the UK or other interesting places outside the US.
Cracked – Be prepared to split your sides laughing at their endless supply of sarcastic, sardonic and evilly hilarious lists involving movies, TV shows and life.
Kindertrauma– I like getting people caught in an endless internet loop.

It's a Horror to Know You: Bleck!
1. What is the first film that ever scared you?
I could make a lengthy list of films, TV shows, etc… that scared me as a kid since I was afraid of EVERYTHING! However, there are two things that scarred me for life that make the top of the list. First was an appearance by Shields and Yarnell on The Muppet Show. For those of you unfamiliar with them, they were a husband/wife mime team who did a routine where they were eating breakfast. This, for some reason, scared me s***less.
The next was a television movie based on the disappearance if Adam Walsh called, you guessed it, Adam. I saw just a few minutes of the movie where he is in Sears with his Mother and he is watching some older kids play a store-demo video game and he was never seen again. Most people know the story and that Adam's disappearance, and subsequent murder, prompted his Father, John, to create the long running TV show America's Most Wanted and countless other resources for missing children. My sadistic parents used this as a scare tactic whenever I would stray away from them while out shopping. Thanks, Mom and Dad…LOL
2. What is the last film that scared you?
Haters are going to hate, but I really enjoy the "found footage" sub-genre. All three of the Paranormal Activity films spooked me and more recently Grave Encounters and Apartment 143 did a great job of giving me a jolt.

3. Name three Horror movies that you believe are underrated.
1) Satan's Little Helper – I have no idea why I enjoy this movie, directed by Jeff Lieberman, there is just something very darkly menacing and funny about it.

2) Poltergeist II – One name says it all…Henry Kane. He is literally MY boogeyman. Of course it is a sequel to a classic so it was never going to live up to its predecessor, but it creeped me out and still does.

3) Twin Peaks: Fire Walk with Me – I was around 12 or 13 when Twin Peaks premiered on TV. I remember the hype and some disturbing images, but it wasn't until I was in high school that I watched the series. Sadly, I watched the "prequel" prior to that, so I knew who killed Laura Palmer. Nevertheless, Killer Bob, a disappearing David Bowie, a backwards talking dwarf, and a flat out haunting score makes this a favorite of mine but I know a LOT of people despise it.

4. Name three horror movies that you enjoy against your better judgment.
1) Amityville II: The Possession – This one is corny as hell with some bad make-up and effects, but I watch it whenever I see it on TV. This was supposed to be sort of a "prequel" to the original Amityville Horror but it is just so over the top it is ridiculous. For instance, why and how does the sister take her top off for the "possessed" brother? Amazing!

2) Creepshow 2 – I saw this before I saw Creepshow and I have to tell you, I like it better. The hitchhiker and the wooden Indian coming to life? Classic canned corn!

3) Macabre – Jesus…what a whacky ass movie. The chick is banging the disembodied head of her lover. Sign me up. So very bad and wrong but I can't look away.

5. Send us to five places on the Internet!
1) Dread Central– An awesome horror site that many other horror sites get their news from.
2) Mutter Museum – This is a museum in Philadelphia (where I live) that has everything from deformed skeletons to a gigantic colon. Skip the liberty bell and head to this place if you plan to visit.
3) Shadowlands – I have spent many an hour on this site reading the real life ghost stories submitted by, well, anyone who wants to.
4) Sporcle – Need to waste time? Look no further. Games and quizzes that will keep you busy when you really aren't.
5) Laff in the Dark – This is a website dedicated to those haunted/fun houses that were, in their heyday, all over the country. Sitting in a cart, going along the track, surprises and frights abound. Fun stuff.

I suppose TIGHTROPE is more of a thriller than a horror film, but it scratches my horror itch just the same. Plus I'm sure if you asked any of the characters being killed in TIGHTROPE if they felt like they were in a horror movie their answer would be, "Why, yes; yes I do!" I don't usually have a bunch of patience for police investigations and weird guys in lab coats informing me about blood types, things found under fingernails and tiny miniscule fragments of whatever but when a movie is this relentlessly dank, dark and pervy, it can't help but hold my interest.
You have to watch it at night though and as late as possible, it might be worthless during the day. I also recommend that even if you catch it on Netflix Streaming that you pretend that you are watching it on Showtime and that at any moment your mom may walk in and be completely scandalized by what's on the screen.

This is not your typical EASTWOOD movie. With a straight face (not that he has any other) he tells GENEVEIVE BOUJOLD that he wants to lick the sweat of her skin and when a male hooker tells him he won't know if he likes sex with men until he tries it CLINT snarls, "Maybe I have." Still waters run deep!

CLINT's character Wes Block is, on the surface, the typical sturdy and stoic EASTWOOD archetype but spend some time with the guy after hours and you can't help noticing his piñata is stuffed with Wacky Wafers. Ever since his wife left him for another guy, Block's once robust male ego has been left as shaky as a Jenga tower. This has resulted in him leaving the dating game behind in favor of popsicle sucking prostitutes and the illusionary sense of power provided by handcuffs. Whatever gets you through the night as they say, but problems arrive when Wes's taste in one night stands begin to perfectly echo the tastes of a murdering psychopath. It's almost as if his new found shadowy predilection has developed a life of its own and is making handiwork of violently erasing his debaucherous footprints. Enter love interest Beryl Thibodeaux (BOUJOLD) who is as challenging and self-actualized as Wes' recent conquests are disposable. Can Wes catch the killer and clear his name while redeeming his spiraling into bacchanalia love life? C'mon it's still CLINT we're talking about here!

TIGHTROPE is good! I know CLINT can sometimes come across as a cardboard prig but that's just because he now looks like a guy who'll yell at you if you step on his lawn. Way back in 1984 dude was investigating parts of his personality that most leading actors would be too cowardly and image conscious to dream of. (Please never ask me to pick sides between SANDRA LOCKE and CLINT, it would be like choosing between my own memaw and pepaw!) Why did director RICHARD TUGGLE stop making movies? Is it just because OUT OF BOUNDS (1986) flopped? That's not fair! How come you don't punish (insert terrible director with a string of flops name here) like that?!

I love TIGHTROPE. If you like horror movies that are not horror movies you will too. Not only does it bravely travel into places you would never enter in real life without a can of Lysol, it also sports an opening kill featuring JAMIE ROSE of JUST BEFORE DAWN! It's not really a particularly savage kill but it's one of those great openings that is all full of lady shoes clacking down alleys while a shadow figure lurks behind. Add to that a savory, captured in amber New Orleans setting, a vigorous dose of DAN HEDAYA, an adorable self defense dummy whose eyes light up when you kick it in the crotch, a giant mechanical pizza man brandishing an axe and an honest to goodness evil clown handing out balloons and who can ask for more? This is one of those rare mainstream movies that unapologetically walks on the wild side and is smart enough to lift directly from the slasher and sleaze films of its time. There's something uniquely personal about it too with EASTWOOD aiming to keep real life Daughter ALLISON (in her film debut) safe from the same darkness he's prone to court. It's not always comfortable but it makes me wish CLINT strayed from the beaten path in his movies more often.



UNK SEZ: Look! We got another postcard from our Pal Francisco from Spain!
Hey ho let's go…
More about 70's and early 80's lp covers, this time by one of the more interesting artistic teams I know Hipgnosis, who did covers for artists like Led Zeppelin, Pink Floyd, Electric light orchestra and these two traumafessions. First, one of the weirdest covers in the history of pop and rock, 10 cc's "Deceptive Bends" (Image Above)
I saw that cover in a 70's catalogue for buying lps that was in the house of a relative and although I have listened to almost nothing by 10 cc that cover is still a mystery for me. I know it is a group known for its soft ballads, so what exactly is the meaning of the cover? What's the relation with the music on the vinyl? Is the girl dead? What happened to her? I think now that art by Hipgnosis is kind of abstract or surreal with absolutely nothing related to the music on the lps inside. In any case, although a bit creepy, a fascinating and very artistic cover. I don't want to be cruel but it's sure better that the music by 10 cc!!!
And what about this…Rainbow's Difficult to Cure.

Without comments for someone like me with fear of hospitals and doctors… just imagine yourself about to be operated on by this bunch of surgeons, it must be something really, really difficult to cure if the operation requires seven surgeons!!! At least on the back cover there is a pretty nurse but with the exception of the ultracool chief surgeon the people look worried… glubss…

Just opposite of 10 cc (sorry for the fans of this band) Rainbow is great… and this lp has as the first track one of the best heavy/pop songs I have heard…

First off, a heart felt thanks to Josh Gregal of The Ungodly Warlocks Horror Podcast for including NEON MANIACS in his IAHTKY post and spurring me to track it down.
I don't understand a lot of stuff so if I only liked stuff I understood, I wouldn't like much. That's no way to live. What are Neon Maniacs? I have not a clue but I am certain that I am fortunate that they exist at least within the boundaries of this film. From what I can gather they are terrible monsters that want to kill everybody. They all have distinct personalities and I will not be the first to describe them as a cross between cenobites and The Village People. They have one hackneyed weakness that even M. NIGHT SHYAMALAN wouldn't try to get away with except, he did in SIGNS. Yes, water is kryptonite to the Neon Maniacs, which is a dumb idea until you realize they can be fought with squirt guns which is kind of cool. You might want to squirt them fast though because some of them have machine guns. From what I witnessed humans are still way more allergic to bullets than Neon Maniacs are to water so keep that in mind.


Eighties Movies! What is it about them? I refuse to believe their marvelous nature is due to nostalgia and the joy of snickering at past fashion and music tastes alone. That can't be all there is to it! I'm going to loosely claim that eighties movies tend to hit the perfect note of not taking themselves too seriously while still taking themselves seriously enough not to resort to cynicism and condescension. I love that NEON MANIACS has a near GOONIES fuzzy-adventure spirit and yet still wants to decapitate a lady while she's going down on a guy in a park. I guess that's what you'd call an uneven tone but what a way to keep the viewer on their toes. The only consistency is the consistency of inconsistency and if you don't dig what's going down, just wait five minutes and the entire framework of this universe will change. There's plenty of inexplicable ineptitude but that doesn't stop a subway chase scene from being surprisingly energetic and that doesn't stop a phone call from a frantic parent whose child has gone missing from being LYNCH-level eerie.


A hefty reason this movie can get away with shrugging off the concept of communicating something you might understand is that it has a highly likable cast. Their acting skills are a moot point because there is no way anyone can authentically respond to the situations this movie dishes out. LEILANI SARELLE (BASIC INSTINCT) as Natalie, has the steepest hill to climb because she must act like someone who watches all her friends get murdered and then goes to school the next day but only after relaxing in a pool. CLYDE HAYES (Who may be one of the most boring FRIDAY THE 13TH victims ever, see PART 4) mutates from slobbering dork to chivalrous love interest to primping rock star within the space of an hour and somehow makes it work. Speaking of FRIDAY THE 13TH, keep your eyes out for MARTA KOBER who you may remember getting skewered while doing the nasty in F13 PART 2. She's not around nearly enough but her presence is a little extra eighties gravy.

Nobody but nobody steals the show quite like the charming DONNA LOCKE, who portrays confounding uber-scamp Paula. Paula is an amateur filmmaker whose bedroom is decked in horror memorabilia. She enjoys riding her bike through graveyards (causing PHANTASM flashbacks) and sleuthing about like Harriet the Spy. Perhaps her most amazing trait is that she is meant to be around the age of twelve or fourteen while LOCKE the actress is clearly a good decade older than that. Her stunning age reversal is accomplished by wearing a baseball cap jauntily to the side of her head (a Nostromo ALIEN hat no less!). I'm only sad that the director didn't go that extra inch and insist she wear overalls with a slingshot in the back pocket too. Watching Paula interact with her peers, her parents and the "older" teens is as dear as it is bizarre and adds yet another layer of absurdity. LOCKE has appeared to have fallen off the face of the Earth, which is a shame because I would happily watch her in anything.


On the down side, things do end up being wrapped up in a ruefully unsatisfying way which is surely due to mishaps and restrictions behind the scenes. It's not enough to undo the fun that has been had though. I hate to ever throw out the lazy "So bad it's good" line and in fact, I don't think it applies here anyway. NEON MANIACS is too imaginative and spirited to be called "bad." It's more accurate to say that it is a giant mess that never comes together properly. Does that sound like faint enough praise? Truth is, if this movie gelled better it would not be as entertaining, so maybe it found its proper form in the end anyway. Sure, nothing is explained but what possible explanation would suffice? What missing line of dialogue could magically sew this crazy quilt together? Do we really want that missing logic? Is logic worth the drudgery it brings? Not in this case. NEON MANIACS is truly maniacal and it glows with slimy eighties florescence; it fails colossally hard then cluelessly yells,"Ta-dah!" Poor me, I can only color myself a fan and applaud.





It's a Horror to Know You: Luki8701!
1. What is the first film that ever scared you?
The Thing. My mom used to borrow VHS tapes from her friend at work and she had a thing for horror movies (thanks mom!) so I was exposed to them from an early age. To this day I remember when I was 5 or 6, sitting in our living room playing with toys while my mom watched this masterpiece. It sure was an experience and while I did not pay attention to the screen the music itself haunted me for days. One time I did manage to gather enough courage to take a look it was during the infamous resuscitation scene. The chest collapsed, mayhem ensued and I ran out of the living room scared out of my mind. I didn't sleep well that night though and my love for horror movies was born.

2. What is the last film that scared you?
Eden Lake. Talk about punch in the guts. I wish I could say I knew what I was getting into, but I didn't expect it to have such a big inpact on my sleeping habits. I have a thing for Brittish horror and I imported my copy of Eden Lake as soon as possible. James Watkins wrote the underrated My Little Eye so my expectations were high…and they were met before Watkins punched me in the face repeatedly and kicked me in the groin. And I enjoyed every single moment of it. Eden Lake is The Texas Chainsaw Massacre of this century and, while a little bit contrived, the ending will propably stay with me for the rest of my life.

3. Name three Horror movies that you believe are underrated.
Only 3? That might be hard but fine…
Alien 3. I don't get the hate for this movie, I really don't. Be it the Theatrical version or the Assembly Cut, this movie is propably the best horror sequel I have ever seen. Sure, it has it's problems but what movie doesn't? It's a dark, depressing descent into nightmare and a perfect ending to the series (or it would have been if Resurection did not follow 5 years later). It's a movie about redemption and closure and it never fails to make me feel emotional and, yes, even a little bit scared.

Candyman 2: Farewell to the Flesh. The first Candyman, to me, represents one of the most perfect horror movies ever made. Every single thing in it just works and comes together to form one of my favourite movies of all time. But the sequel ain't bad either! While the story retcons quite a bit of the original, it is just as compelling and strangely haunting. The cast is excellent too (Veronica Cartwright!) and Phillip Glass returns with his amazing score.

Silent Hill. Silent Hill may not work all the time, but when it does it roars and screams and sends shivers down my spine. It suffers from uneven script filled with clumsy dialogue and overt symbolism but boy if there ever was a movie made in the last 22 years where it didn't really matter it was this one. An extremely atmospheric and cinematic video game adaptation that might sumble just as often as it jumps, but boy does it jump high! It also has horror friendly Radha Mitchell (Rogue, Pitch Black, The Crazies remake!) and Laurie Holden (The X Files, The Mist, The Walking Dead). The long overdue sequel will be out this October, directed by Michael J. Bassett, who directed a bunch of underrated horror movies of his own (Deathwatch and The Wilderness).

I would also like to mention The Skeleton Key, Session 9, Black Water, Lake Placid and several dozens of other movies that deserve to be mentioned!

4. Name three horror movies that you enjoy against your better judgment.
House of Wax. (The Paris hilton one!) I just love this movie. It should be a complete failure but somehow it works. Jaume Collet-Serra brings enough style and suspense to the proceedings and milks the sets and setpieces as much as possible. Even the deemed-to-be-annoying WB cast is perfectly capable of pulling their characters off (and hey the movie has almost an hour of some basic character development! There isn't even the studio required opening death scene to kick start the movie!), aside from Paris Hilton who makes up for it with her over the top deathscene.
Blair Witch 2: Book of Shadows. I worship the original movie. It holds a very special place in my heart and caused quite a bit of uneasy discussions while camping in the woods. The sequel was heavily recut and reshot by the studio who also forced their ways on the director. The main cast is mostly annoying and strangely compelling at the same time. What makes this movie almost work is the twist and several sequences (mainly the hallucinations all the characters suffer from), but it could have been so much more.

Anaconda. Cheesy, unrealistic and with some truly terrible CGI. But I can watch this anytime and always have a good time. I wouldn't call it a bad movie though. It certainly doesn't take itself too seriously and the cast is fun (especially Jon Voight). I certainly enjoy this more than any of the "intentionaly" so-bad-it's-good animal amok flicks The Asylum/Syfy flood the world with. It ain't Jaws or Lake Placid, but it sure is fun.

5. Send us to five places on the Internet!
The Flesh Farm – Lots of enjoyable write ups about horror movies, both good and the bad.
Contamination – Not often updated, but lots of entertaining reading.
Retro Slashers – the name says it all.
Bleeding Skull – plenty of great reads about obscure/cult horror movies.
Cult Laboratories – great forums for fans of the cult cinema.

It's a Horror to Know You: Kelly of A Moment A Love A Dream A Laugh!
1. What is the first film that ever scared you?
Definitely a tie between Poltergeist and Jaws. The scene in Poltergeist where the mans face starts falling off in front of the mirror and into the sink. Made me sick when I was younger, I'd never seen any sort of blood in a movie before. The clown and the tree scene were also traumatic. I never actually saw Jaws in its entirety I would just take a sneak peak, afraid something would scare me. I used to think Jaws would be in the swimming pool (irrational) or the toilet (just plain crazy). My mom used to hum the theme and I would start freaking out.

2. What is the last film that scared you?
Probably the first half of Insidious, I didn't care for the second half. But the first was a good old fashioned haunted housed movie. A scary one at that! The creature pointing over the bed, the tiny tim music! UGH.

3. Name three Horror movies that you believe are underrated.
1.Alice, Sweet Alice– A great horror film, with a lot of great scenes and a semi-interesting twist! I really have a soft spot for this movie. Wish it got more love.

2. May– I really enjoyed this movie and thought it was great. Creepy and demented to be sure. Has a-bit of a cult following though, so not sure how underrated.

3. The Woods– A lot of people hate this movie so maybe this should be in "movies I enjoy against my better judgement" list. But I genuinely liked it. People said they didn't find it scary but it honestly creep-ed me out. The perfect use of "You Don't Own Me" sends shivers down my spine. It's all good until the end.

4. Name three horror movies that you enjoy against your better judgment.
1. Campfire Tales– I found this to be a fun and interesting take on Urban Legends trilogy. There are some genuinely fun times to be had with this movie. Sure it isn't scary, but it doesn't need to be.
2. Freddy Vs Jason– I thought this movie was pretty much all it needed to be. I enjoyed the slapstick humor and ridiculousness of it all.
3. The Grudge– This movie genuinely frightens me, maybe I just have an aversion to long black haired ghosts. But I think about that hand scene every-time I'm in the shower. I thought this was an effective remake. Forget the sequels though.

5. Send us to five places on the Internet!
IMDb (I really enjoy the use of lists on this site)
Think Geek (Are you A geek? Shop here!)
aghosthouseproduction (rare horror dvds for sale)
The Haunted Closet (a great blog with vintage books and reviews)
Long-Forgotten (Think you know everything about Disney's famous attraction Haunted Mansion? Read detailed essays here)

It's a Horror to Know You: Zack of Film Thoughts!
1. What is the first film to ever scare you?
I was a pretty meek kid. Advertising for horror films was enough to give me nightmares as a child. Drug awareness ads freaked me out. But no film affected me the way "Child's Play 3" did. Print ads were all over the comic books I read and I was exposed to more then a few commercials. As a little kid, I couldn't have been more then five, the idea of something as universal and innocent as a child's doll, a toy, not unlike any of the ones I had, becoming evil and murderous was more then I could handle. I had nightmares about that one literally for years afterwards.
Another one that had a profound effect on me was "Gremlins." I remember falling asleep in my older sister's car and having a nightmare about one of those little monsters standing outside the window, scratching on the glass.
I didn't actually start watching horror movies until I knew I was old enough to take it. I love "Gremlins" now. Still haven't brought myself to watch any of the Chucky movies.

2. What was the last film to scare you?
Originally, I had picked Michel Soavi's "Stagefright" for this slot. It's a super gory, surreal, lottsa-fun slasher film for the majority of its runtime. However, the cramped location quickly causes tension to build. The climax of the film involves the final girl crawling under the stage, trying to get a key to wiggle through the cracks above and fall into her hands. The killer sits above, quiet, unmoving. Because of how the mask is designed, you can't tell if he's watching her or not. It's one of the most intense horror sequence I've ever seen. That seemed like a pretty good choice for this category.

But then I remembered Lucky McKee's "The Woman." I'm a huge McKee fan and I was really digging this incredibly smart, expertly acted, truly twisted horror satire, but then the last act clicked in. As soon as it, I won't say what exactly for spoiler's sake, jumped out of the dog crate, I literally jumped up and yelled "WHAT THE FUCK?!" At that point the movie leaped from disturbing and calculated to just flat-out freakish and weird.

3. Name three Horror movies that you believe are underrated.
1. "The Car" (1977): I think this is a legitimately good movie. The "Jaws-in-the-desert-with-a-demonic-car" premise is pretty nutsy, but the execution works for me. I love the small town setting. I love everyman protagonist James Brolin. I love the scene where Kathleen Lloyd is standing in her kitchen, on the phone, getting increasingly freaked out when you see highlights in the window behind here and then hear that hellish honking. Plus the titular Car just looks cool. Goofy as hell maybe but I can dig it.

2."No Telling" (1991): Larry Fesseden is a seriously underrated horror auteur and I'd say that any of his films belong on this list. Yet none of them got to me quite the way "No Telling" did. Its slow deliberate pace leads up to a truly disturbing climax. If you're an animal lover, this movie is bound to get under your skin.
3. "Lisa" (1990): I have a bit of a soft spot for femme-centric horror, maybe because it's just so rare. This one is more of a thriller for most of its run time but Stacy Keanan is a really lovable main character and Cheryl Ladd, as her mom, is also very good. It's actually something of a fable about growing up but the climatic sequence with the serial killer is pretty intense. Director Gary Sherman also did the more well-known but still underloved "Dead and Buried" and "Death Line."

Honorable Mentions: "May" is pretty well known in the horror community which is why I excluded it from the list above. However, seeing as how it's one of my favorite movies of all time and my vote for best horror film of the 2000s, it still deserves to be more widely seen. Lucky McKee's friend Chris Siverston is also underrated. "The Lost" has a brutal, intense final act and "I Know Who Killed Me" is nowhere near as bad as you've heard, a lovably trashy homage to giallo.

"Kolobos" is an obscurity that I like, a throwback to Italian gorefest that predicted and predated the extreme horror phase of the early 2000s.
"KatieBird: Certifiable Crazy Person" isn't the easiest movie to like, with its noise-rock soundtrack, multiple comic-book panel visual gimmick, and all that torture and weird sex stuff. But under the grime are two extraordinary performances from the female leads and an exceptional non-linear storyline that builds to a shocking conclusion.

4. Name three horror movies that you enjoy against your better judgment.
1. "Repo! The Genetic Opera" (2008): This is one of those movie with a fandom that embarrasses even hardcore horror fans. I'm neither goth nor an industrial music fan but something about this gore-soaked rock opera is irresistible to me. The overstuffed lyrics and melodrama make me groan but I love the A+ cast and the bittersweet finale. Besides, it's hard to hate a musical about live organ transplants.

2. "Sssssss" (1973): Why not a bad film by any means, there really isn't a lot remarkable about this goofily entitled film. It's just one of those movies I saw over and over again on cable at the right age. I came to love it through pure repetition. It's enjoyably gonzo with some decent creature effects and an awfully attractive leading lady. Snake-lovers and fearers should check it out.

3. "House of Horrors" (1946): This forgettable late period Universal Monster entry is about as routine as you can get, some would even say contemptible for the way it exploits Rondo Hatton's real-life deformity. Yet this is pure horror comfort food for me. I love the atmospheric back lot setting. Rondo's, let's be kind, "naturalistic" acting skills are immediately endearing. Any story of an underappreciated artist striking out at the world is going to appeal to me. My inner-Monster Kid can't help but adore it.

Honorable Mentions: Eben McGarr's "Sick Girl" (unrelated to the Masters of Horror episode of the same name) isn't a great movie. It's extreme for extreme's sake. The miniscule budget shines through repeatedly and the ending is abrupt. I sort of love it anyway. I can't tell if Leslie Andrews gives a good performance or not but I'm hooked either way. The hitchhiking scene misleads the audience fantastically.

There are plenty of trashy slashers I adore. "The Toolbox Murders" for its opening cascade of misogynistic gore. "The Prey" for its unintentional hilarity and accidental dream-like tone. "Sleepaway Camp II" because it's completely brilliant, in every meaning of the word. I could go on and on.

5. Send us to five places on the Internet!
1. Six Weeks of Halloween: Though obviously only updated during the Halloween season, Kernurex is a friend and an always witty horror reviewer.
2. Horror Etc. Podcast: I eagerly await listening to Tony, Ted, and Sometimes Doug chatter about horror movies (And sometimes other stuff) every week. These guys are true horror fans who love the entire genre and are always worth listening too.
3. Andrew Barr's MONSTARS: Andrew Barr draws horror characters, beloved, derided, and completely obscure, in his quirky signature style. I'd love to have a few of these framed and on my walls.
4. Fantastic Movie Musing and Ramblings: Dave Sindelar has quietly been going at this for years, an endless quest to watch and review every "genre" (sci-fi, fantasy, or horror) movie ever made. Originally stationed on the beloved, long-gone Scifilm forums, he now has his own archive of hundreds of amusing, insightful movie reviews.
5. Trent Harris: Denying all financial sense, Utah based independent filmmaker Trent Harris has continued to pop out obscure, bizarre, and utterly unique tragi-comedies ever couple of years. Bootlegs, books, and artwork can all be read about and purchase here, his central online hub.

I was pretty normal kid. Granted, at 6 my mother took me to the theater to see Friday The 13th in 1980, completely traumatizing me and ensuring I never spend the night in the woods again, but I digress. More than trips to the theater or watching slasher movies on Beta during a sleep-over, what really did it for me were those sinister, evil voiceovers that accompanied movie trailers or sometimes even TV spots for horror films. Those voices, and there were many of them, were filled with such resonance and horror that turning away and covering your eyes was never enough. I was haunted by those inflections, those slightly-English-sounding adjectives, the way they would draw you in and leave you utterly frightened after the first sentence. Those voices are as indelible as the trailers, and while there were many, I have to reflect on MY 'big 3':
1) DAN LaFONTAINE – This is the guy we all know and love. "In a world where" he spoke on the airways, we were truly freaked out. True, his voice and style became a bit TOO mainstream and recognizable towards the end of his life, he was pretty much "the voice" of Paramount Pictures in the late 70's-early 80's and his voice is clearly recognizable in gems like My Bloody Valentine (1981), Dressed To Kill, The Fly (1986), Scream, and he needs only to count to freak us out in the original Friday the 13th (1980) trailer:
2) ADOLPH CAESAR – Caesar was an accomplished black actor, with roles in A Soldier's Story, The Color Purple, and other films, but he really left his true mark in FREAKING ME OUT in the late 70's and early 80's. An amazing, deep, and resonant voice, he could make just about anything sound scary, and usually did. You'll most certainly recognize the damage he did to you when you hear him voice the trailers from Deep Red, Blacula, A Nightmare On Elm Street (1984), Sleepaway Camp, Last House On the Left (the "It's only a movie" trailer), Creepshow, and probably his most famous – Dawn Of the Dead (1977):
3) PERCY RODRIGUEZ – Probably the most notable of my 'big 3' voiceover artists, because his voice was deeper and more sinister, and along with the films he voiced, he really packed a lot of punch and undoubtedly scarred many of us in the process–'normal' people included. His films are epic, and he could scare your grandma talking about what he did on Labor Day. His voice will be indelibly linked with some of the terrifying moments he set up in films like Dracula (1979), Madman, The Omen, The Amityville Horror (1979), The Exorcist, and his piece-de-resistance: Jaws:
Thanks to Dan, Adolph, and Percy for giving me an entire horror movie's worth of chills in about 90 seconds. nYou truly traumatized my youth, and I wouldn't change a thing. Like I said, there are many amazing voice artists out there that voiced many, trauma inducing trailers. One honorable mention from my list has to be ROSCOE LEE BROWNE, a Shakespearean actor and cast-member of the TV Show "Soap". Often confused with Adolph Caesar, he leant a similar inflection of voice to terrifying trailers like The Prowler:
I find his voice not to be quite as deep or resonant as Caesar's, but that delivery, that pacing, that almost-English-like-inflection on certain words still freaks me OUT.
The next time you sit down to watch an old horror movie trailer, take a good listen. It might very well be one of these guys. Now, I have to go and turn on some more lights….
