I was walking on air after seeing JAMES WANS' THE CONJURING 2. It's pretty much every thing I want in a horror movie. My persnickety brain tried to come up with a valid grievance but it was doused a couple scenes later and had more to do with my trying to jump ahead of the story than any flaw of the film. As far as I'm concerned, it's a masterwork that proves without a doubt that horror movies can be meaningful and emotionally rewarding without losing any of their power to scare and thrill. I think it's a giant step forward out of the genre's typical arrested development swamp but even those who are ONLY interested in chalking up frights will be hard pressed to find something to grouse about. Furthermore, it's a sterling defense for the value of sequels because the viewer's relationship with the characters is all that much deeper having withstood such a rewarding (albeit dubiously accurate to the nth degree) ordeal with them once before.

Speaking of, I have to say, the chemistry between PATRICK WILSON and VERA FARMIGA as Ed and Lorraine Warren, the married paranormal investigating team that anchors the series is all kinds of phenomenal. Seriously, somebody should be casting them in a remake of BRINGING UP BABY because they spark like CARY GRANT and KATHERINE HEPBURN in this. It makes me sad I no longer work in a video store because I would have so loved to have answered the question "Can you recommend an epic romance?' with "Sure, THE CONJURING 2". There's a scene where WILSON picks up a guitar and sings "I Can't Help Falling in Love With You" to FARMIGA and it's like watching cinematic gold being spun- and let's just say it's a good thing I don't mind blowing my nose in the sleeve of my Pac Man t-shirt. It's transcendent, plain and simple and I wonder if many horror fans even know they deserve such a beautiful thing every once in a while. Geez, they really need to put out a music video of it so that I could watch it over and over again.

Anyway, there I was getting all ready to break through my writer's apathy and gush about this monument to everything the genre should aspire to when news about the Orlando gay club shooting massacre hit and knocked the wind right out of me. There was no way I could think about a movie. In fact, every time I went online and saw that people were still hen squawking about summer sales and recent acquisitions, I pretty much had to self-eject myself out of fear of having to return Aunt John's computer with a vomit soaked keyboard. Actually, the less said about the mental zone I found myself in, the better. I'm not proud of the thoughts in my head and the things that were going through my mind. It's one thing to be rightfully angry and it's another thing to dissect every word spoken or not spoken until you're no longer capable of distinguishing friend from foe. I may have even responded to a friend who greeted me with a smile in a guttural possession voice worthy of the film we're speaking of. "Don't you know what's going on??!!" Not proud of that.

Hey, we all grieve and process things differently and you never know what extra hurdles are in another person's path. Once you start condemning other people's responses more than the original tragedy though, you can be pretty sure you're running in the wrong direction. I feel guilty for not voicing my outrage louder and yet I never want to become the type of person whose first reaction to something so heinous is to view it as grist for the social media mill. Plus I'm pretty sure I would have said something I would have regretted. I know that because I've already deleted about ten paragraphs here for too clearly revealing my tenuous mental state and I usually only have to delete about two. Anyway, kudos to all of those who determinately focused on the 49 lives lost rather than themselves or the selfie-prone sewer sludge that committed the atrocity.

Needless to say I'm still stunned and reassembling but the more I think about THE CONJURING 2 the more I find it both fortifying and apropos. Not for nothing, the film opens at the Amityville house; a joint world renown for being the location of multiple murders of unarmed innocents by a weak minded lunatic happy to blame anyone other than the douchebag in the mirror holding the gun. It's a marvel how the opening's ferociousness (not to mention jaw dropping attention to detail) surpasses every film in the AMITYVILLE franchise (with possible exception of my beloved PART 2: THE POSSESSION) put together and in such a brief amount of time. If you want me to buy WHEATIES, I'd advise you to put JAMES WAN on the box. The guy is unstoppable.

Fittingly in the basement there is indeed an ancient instigating presence viciously fanning the flames and hiding its malicious intent behind the cloaking costume of religion. Personally I'm weary of any and all religions but I find the way THE CONJURING 2 presents its faith surprisingly palatable. While the dark threat uses religion as a mask to hide its manipulations our stalwart heroes arm themselves with their love for each other and utilize religion as a sort of magnifying amplifier of that love. Ed even tells the beast, "I don't care what you believe." It's not a matter of theology; it's not a matter of debate or willpower, Ed need only look at his wife to verify an undeniable powerful force. In case you didn't know, this is how many gay (LGBTQ) people feel towards their loved ones. Against wrathful voices, they have no choice but to walk toward that energy. It's inarguable and yes, it's very different than the feeling that guides you towards hate. Trust me, I'm familiar with both.

One of many reverberating scenes takes place on a swing set between Lorraine and Janet (MADISON WOLFE), the child who the bullying darkness has singled out and gravitated towards (by the way, VERA FARMIGA is impeccable and between this and her soulful performance on the last season of BATES MOTEL, all I want to do is fan her in awe with a palm leaf). Lorraine shares with Janet that she knows exactly what it feels to have her threatening experiences disbelieved and to be ostracized for being different. I can't quote it verbatim but she also includes a mentoring reminder that the depressive, self-hating feelings the incidents left her with are exactly the feelings that the demon feeds and thrives upon and that she must fight against them. A similar sentiment is later echoed when Ed advises her siblings how to best respond to the beast that wishes to divide and destroy them. He compares the attacks to the schoolyard bullying they are all too familiar with and advises them to react in exactly the same way; that it is their duty to stand up for each other as a family and that they have a greater strength as a galvanized whole. Truth.

So if you ever catch yourself thinking it's a bad idea to see a horror movie after your soul has been through the wringer, don't be so sure. In some cases a horror flick can provide you with just the rallying inspiration you need. That's the power of art and that's the value of creating rather than destroying. I'll have to exclude myself from the list of people who did not succumb to the darkness after America's latest mass shooting. It's very possible I myself may have been possessed for a while. To fully escape my personal tar pit I had to return to the lessons of the film one last time. The slithering, misleading demon in THE CONJURING 2 had one chink in its armor, one scale missing in its dragon skin. Knowing its correct, true name and speaking it aloud was its one vulnerability. I happen to know exactly the name of the demon that snuffed out 49 lives at an Orlando Florida gay bar on Latino night. That monster has one name and that name is Hate. Don't let it fool you and don't let it win.