


your happy childhood ends here!

Alrighty, I'm stumped again on what I thought would be an easy find (I even think this one may have come up on Kindertrauma once before, but I'll be damned if I can find it seaching through your archives!)
It was an episode of some anthology TV series from the mid-80s(?) I want to say the show was associated with a known sci-fi writer like Arthur C. Clarke or Isaac Asimov, but can't be sure (at first I thought it might be an episode of Ray Bradbury Theater but it doesn't appear to be.)
The episode is set in a boarding school for children, set in the future and possibly on another planet. The planet is cloudy and rainy all the time and the sun only shines once every several years and then only for a few hours, and it is about to do so again in the next few days and everyone is excited about it. The teacher hands out "sun kits" to the class, containing sun screen, protective glasses, etc. in anticipation of the big event.
The day the sun finally shines, the kids gang up on one of the newer kids and lock her in a windowless classroom. The sun shines for the brief moment and all these flowers start blooming all around the school. It is over as quickly as it began and everything is cloudy again. The girl is let out of the classroom and she is crying at having missed the sun. The kids feel guilty and bring her armfulls of flowers.
Any help?
Thanks,


It's a Horror to Know You: Justin Kerswell of Hysteria Lives and Author of The Slasher Movie Book!
1. What is the first film that ever scared you?
The first film I remember scaring the crap out of me was the 1982 TV-movie DON'T GO TO SLEEP. Despite looking at movie posters for THE FOG, HAPPY BIRTHDAY TO ME, FRIDAY THE 13TH et al, like some lovesick teenager mooning over the latest pin up, I was born too damn young to see them at the cinema. I think just before I popped my cherry with HALLOWEEN II on Betamax I was allowed to stay up and watch DON'T GO TO SLEEP. These days 13 year olds are having gap years and running mining corps in South America, but back then was a more innocent time. The story of the girl returning from beyond the grave to claim her family one-by-one had me on the edge of my seat. The image of her rolling the pizza cutter up the staircase was indelibly burnt into my brain. For some reason Of course, it's all delightfully cheesy now when you see it, but is still good spooky fun.
Honourable mentions also go to the Scottish set BBC two-parter NIGHTMARE MAN (1981), which was a curiously low key attempt at a British slasher/monster movie – except with more tartan and chatting about the weather. I also found the 1978 comet-destroys-Pheonix TV movie A FIRE IN THE SKY absolutely scary. Not sure why now, though!

2. What is the last film that scared you?
Easy. That would be the Australian pseudo-documentary LAKE MUNGO (2008). The central concept is quite terrifying, but the whole film has a mournful and ultra creepy vibe. It also has an outstanding scare using brief mobile phone footage. It is a film that stayed with me long after watching it.

3. Name three Horror movies that you believe are underrated.
It's difficult to keep to just three! A varied bag starts off with the 2001 Hong Kong movie HORROR HOTLINE BIG HEAD MONSTER. Horror films from Hong Kong are not usually my cup-of-tea. That kind of zany, slapstick does little for me – but I remember this being a genuinely creepy and strange little movie – and one that deserves more recognition.
SUPERSTITION (1982) is a film that I love because I first saw it at an impressionable age. Recommended partly for having the chutzpah to try and stitch the slasher and AMITYVILLE HORROR-style movies together in such a low rent, but endlessly entertaining way. The head-in-the-microwave opener is a show stopper, but I also love the dialogue ("Shut your bitchy mouth!") and the fact that they had the balls to end on a downer. To me it's the epitome of 80's video store horror movie gem.

One I watched again funnily enough last night was the British proto-slasher FRIGHT from 1971. I forgot quite how influential it must have been. Babysitter menaced by escapee from an asylum (check). Psychiatrist hot of the tails of said psycho (check). John Carpenter and Debra Hill must have had a triple bill with this, BLOOD AND LACE (1971) and BLACK CHRISTMAS (1974) when they came up with the idea for HALLOWEEN (1978). Of course, that film didn't have a conversation about Susan George's "lovely bristols", but it has a still shocking today showdown with a toddler with a very large shard of broken mirror to his throat. It's funny how these proto-slashers can throw you for a loop sometimes. Interestingly – and somewhat ironically – it got a post-HALLOWEEN re-release onto American screens as I'M ALONE AND I'M SCARED to capitalise of the success of Carpenter's movie.

4. Name three horror movies that you enjoy against your better judgment.
I've done a 180 degree turn on PIECES (1982). To my shame, when I first reviewed it I called it FAECES. What was I thinking? It is actually 100 per cent distilled fun – and I love it and its cheesy rollerskating chain saw massacre more than life itself. … The most beautiful thing in the world is … smoking pot and fucking on a waterbed and watching PIECES at the same time. Allegedly.

Another film that I've grown to like against my better judgment is GIRLS NITE OUT (which was originally released to US screens briefly as THE SCAREMAKER in 1982 before getting a second chance at, ahem, stardom in 1984). Really, the frat boy stuff is stupid fun – and the lack of a central character hurts it – but it's hard to hate a slasher flick that has a giant bear mascot with proto-Freddy gloves as the killer. It also has a WTF creepy ending that is totally at odds with the previous 90 minutes and creates a genuinely disorientating close.
Finally, pure bad movie fun doesn't get any more perfect than the 1980 Bigfoot bloodbath NIGHT OF THE DEMON. If you ever wanted to see a biker get his penis ripped off by what looks like Mick Jagger in a full body ginger toupee then this movie is for you.

5. Send us to five places on the Internet!
The Bodycount Continues – fun and friendly slasher movie forum run by my good friend Joseph Henson.
Scream Queenz – Hands down my favourite horror podcast (well, apart from maybe The Hysteria Continues). A deliciously camp and effortlessly entertaining joyride to horror's glittery back passage.
Mrs Slocombe's pussy vs. Black Christmas – Last Christmas I had too much good cheer, woke up in the morning to find out that I'd created this.
Hysteria Lives Facebook page – I know I'm a total attention whore, but I'm posting loads of old slasher movie reviews and artwork on this page.
Dina Martina – Medical College Commercial – I saw Dina a couple of summers ago performing live. Thrilling, fascinating and the only drag queen with a hairy back I've ever seen (so far).

It's A Horror To Know You: Michael of Cinema Du Meep!
1. What is the first film that scared you?
Halloween (1978) – It's also the first Film I remember period. Thankfully my Movie-obsessed parents didn't mind taking a little kid to such a legitimately scary Movie. It also really resonated with me because it's killer and I share the same name. It was the night WE came home.

2. What is the last film that scared you?
The Loved Ones (2009/12) – I'm not easily frightened by Horror Movies these days, but I did find this Australian Horror Film to be quite full of suspense. It's a roller coaster of a Movie, with a villain you really want to see put down. Since it only made it here to the states this year (It's also getting a very limited theatrical release this month by Paramount) It might end up in my top 10 of the year. I was pretty surprised by this Movie, and that's rare for me.

3. Name 3 Horror Movies that you believe are underrated.
One Dark Night (1983) – Meg Tilly is locked inside of a creepy mausoleum (is there any other kind?) overnight as part of a pledge to get into a high school club. Things go bump in the night courtesy of the bitchy blonde who put her there, and her toothbrush loving cohort. In that very same mausoleum, the dead are raised by a russian psychic zombie vampire with the power of telekinesis (he's got a lot on his mind), and they don't seem too happy to be there. Atmospheric, creepy and a hell of a lot of fun, Director Tom McLoughlin (of the fun Friday The 13th Part VI: Jason Lives) makes the most of a tiny budget. Co-stars E.G. Daily (Pee-Wee's Big Adventure, Valley Girl) & Adam West (TV's Batman) as a dude who can't find his depositions.

Stephen King's Sleepwalkers (1992) – When Sleepwalkers came out, Stephen King fans revolted. He had written this one himself, but somehow they didn't get it. I think it's a lot of fun. This Movie has: Ancient creatures who indulge in incest, fear of pussycats, cops killed with a corn on a cob, Glenn Shadix molestation, the parents from Ferris Bueller's day off, dancing in the lobby of a Movie Theater while vacuuming, a deputy who's partner is a cat, gravestone rubbings as a hobby and a way to impress your date's mom, the power of invisibility and more importantly being able to change the color and model of your car at will, horror icon cameos and so much more. It's a keeper!

Suspended Animation (2001) – Director John D. Hancock made my second favorite Horror Film of all time (Let's Scare Jessica To Death from 1971). He spent the next 30 odd years away from the genre helming an assortment of Dramas (Bang The Drum Slowly, California Dreaming, 1987's Weeds) and even a Family Film (Prancer). Thankfully he returned to Horror in the early noughts with the shot-on-HD Suspended Animation. This is one of those Movies that is surprisingly complex, so I won't go into too many details here, but I will say it is one of the most overlooked Movies of the last 10-15 years. I found it fairly creepy and well made (love the great snowy atmosphere) with a story that got me totally involved. Hopefully Hancock returns to the genre once again. Suspended Animation is currently available on DVD and it's also available on Netflix Streaming right now as of June 2012.

4. Name 3 Horror Movies that you enjoy against your better judgement.
I Spit On Your Grave (1978) – My grandmother was a huge fan of this Movie. I had watched that big boxed VHS from Wizard Video countless times growing up. I probably should hate it by now, but somehow, I don't. It's a Movie that's both hard to watch and also pretty compelling. I'd call it a contradiction in the world of exploitation perhaps because it's a Movie that's smarter than the Filmmakers actually realized it would be. Hold on to your penis before you lose it and enjoy.

Mardi Gras Massacre (1978) – A late 70's Movie about a killer in New Orleans that rips out the hearts of sluts in the name of some Aztec ritual. Other body part dismemberment zaniness follows. If you this doesn't sound all that interesting, well, it's the kind of Movie you should probably just experience instead of reading some synopsis. I enjoy the occasional weirdo Movie, and this one, which also features mustachioed cops who are hot on the killer's trail, is both weird and groovy. I really dig the Disco music, so much so that I play it on the ipod once and awhile, allowing it to whisk me away to it's magical world. Play close attention to the title card in the beginning. There's something that lives behind it!

Murder By Phone (1982) – I'm going to be honest with you, Murder By Phone is a terrible Movie. But, if you want to see people murdered by a Phone (landlines only, bitches. This was 1982) look no further. Watch bearded Richard Chamberlain ham it up and a slew of character actors like John Houseman embarrass themselves. This dull but somehow watchable Canadian tax shelter production was released in the U.S. by Warner Brothers and was directed by Michael Anderson (Logan's Run, Around The World in 80 Days, Orca). After some research, I noticed that this Film was initially released as "Bells" in Canada, and was 20 minutes longer. Against my better judgement once again, I really need to track down that version and then reach out and touch someone… until they die.
5. Send us 5 places on the internet!
Besides this wonderful site here, I love to check out…
House Of Self Indulgence – Wacky and wild reviews of Cult & Retro Cinema. House Of Self Indulgence is like no other!
The Axe To Grind Show – Axe loves Horror Films so much, he just started his own little radio show. It's off to a really good start.
Hysteria Lives! – If you love Horror, in particular Slasher Films, no one does it better than Justin of Hysteria Lives. Also check out his recently published in the U.S. "Slasher Movie Book" and "The Hysteria Continues" Podcast he heads up as well.
Uncle TNUC – Uncle TNUC captures a cool 80's vibe that never fails to bring me back to that neon-spandex, cuff rolling, sock-less decade.
The Terror Trap – The Terror Trap has been doing Horror right for many years now. Love all the interviews, profiles and reviews.
And whilst you're on the inter-web, why not join Cinema Du Meep on Facebook…

It's a Horror to Know You: Burl of Ha Ha, it's Burl!
What is the first film that ever scared you?
Ha ha, well that would be an all-time classic of Kindertrauma I'd expect: Trilogy of Terror! I was three years old and snuck down to watch the Zuni doll segment from around a corner where my parents couldn't see me! Then later he appeared in my dreams, having grown to adult size, and was chasing me through the Maurice Sendak bedroom forest from Where the Wild Things Are! Ha ha, talk about traumatic!
What is the last film that scared you?
Like many of your respondents I don't get spooked all that often from movies anymore, but it happens now and again! Ha ha, [Rec] is probably the last such occurrence!

Name three horror movies that you believe are underrated.
Well, let's see! I watched one recently that I would call underrated: Ghost Dance! It's a ghost/possession/slasher movie from the early 80s set in the deserts of New Mexico, and it's not that great, but it has some good moments and a few dynamite images courtesy of future Freddy Vs. Jason cinematographer Fred Murphy! It's not so much underrated as simply not rated at all! Ha ha, except by me!
Maybe I'll put in a word here for Malpertuis, the Harry Kümel adaptation of the great Jean Ray book! It's a flawed picture for sure, but it looks great and has a heavy atmosphere of dread and weirdness! It's certainly got its fans, but not enough of them! And Orson Welles is in it, ha ha!
And then maybe I'll pick Supernatural, the witch-gore movie from 1982 or so! That one is a great example of how goopy low-budget 80s horror can sometimes be really, truly scary! Again, it's not a brilliant movie precisely, but it has a certain something that makes me feel it should get slightly more recognition than it seems to! But ha ha, ask me this same question in five minutes and I'd pick three completely different movies!

Name three horror movies that you enjoy against your better judgment.
There are many, many of these! I'll have to pick three almost at random, so here it goes! The Power is one goofy movie, ha ha, but it really tries hard, and its almost completely shapeless narrative means you can watch any ten-minute sequence and be perfectly satisfied! Plus there's lots of silly makeup effects!
Primal Rage is a pretty good one! This is the story of a rage virus affecting test apes, college students and a ponytailed Bo Svenson! It has a great Halloween party climax and provides maximum entertainment while engaging not one single brain cell in your head!
And lastly, I'll pick The Devonsville Terror! There's nothing objectively good about this picture, but I really like the autumnal atmosphere and the fact that very little actually happens! I only saw this one for the first time last fall, but I could see it being a semi-regular fall tradition for me, ha ha!

Send us to five places on the internet!
I suppose you've been sent to Bleeding Skull many times before, but here you go again! I really enjoy reading those reviews, and so many of them are just exactly the obscure VHS non-classics that I enjoy so well myself!
Hollywood Gorilla Men is a fine blog about the guys who wore the gorilla suits in olde-tyme Hollywood to keep us all entertained, thrilled and on the edge of our seats!
Another informative blog is Matte Shot, which is about the marvelous matte paintings that have put us in crazy fantasy worlds over many years of movie watching! Great stuff, ha ha!
There's a young fellow named Raculfright_13 who reviews movies in a strangely charming way, and he certainly likes his mexi-trash! But I'm pretty partial to his enthusiastic if ungrammatical notices, and he provides plenty of pictures too!
Lastly I must point people towards Canuxploitation, the great website showcasing all the fine Canadian genre movies out there! There are lots of them, and this is the place to go if you want to learn about them! Which reminds me: it's June, so that means it's time to watch Funeral Home once again, the perfect summer movie! Ha ha!

It's a Horror to Know You: Paul Castiglia of Scared Silly: Classic Hollywood Horror-Comedies!
What is the first film that ever scared you?
It was a combination of movies and TV, really. I would run out of the room whenever Cesar Romero's Joker from Batman or Fred Gwynn's Herman from The Munsters appeared. If I caught a glimpse of a horror-show opening (whoever in New York was running an opening montage of Universal monsters as a lead-in to their horror movie broadcasts in the 1970s) I was really scared. I watched Abbott & Costello movies every Sunday, but would quickly find something else to do if Abbott & Costello Meet Frankenstein or one of the team's other horror-comedies came on (quite ironic considering I'm now writing a whole book on the horror-comedy genre)! Dan Curtis also had me going with his TV-movie vampires, Janos Skorzeny from The Night Stalker and Jack Palance as the title count in Dracula. At theaters? The "Pleasure Island" sequence from Pinocchio was probably my first big-screen scare.

What is the last film that scared you?
The Tree of Life. Hopefully you'll never have to watch it and be scared yourself!

3. Name three Horror movies that you believe are underrated.
Bela Lugosi Meets a Brooklyn Gorilla (1952) has charms that elude many… just not me and the growing legion of Sammy Petrillo fan(atics)! It's also an example of an unintentional spoof and if you look at it as a send-up of other horror-comedies and horror films (especially "mad doctor in the jungle films") it works beautifully. Almost as beautiful as Charlita playing a college-educated Island girl who looks like she just came from a beauty pageant. Beautiful too is Lugosi, starting to look rather shopworn here but pulling off an intense pseudo-science speech about evolution that could make a monkey out of Darwin! Also beautiful is watching 17 year old Sammy Petrillo's mind at work as he ponders what Jerry Lewis shtick to pilfer next. Petrillo's naïve audacity adds a compelling component to the film for me. (Read my review HERE.)
Bride of the Monster (1955) Old Bela again, paired with loopy Ed Wood again. Maybe it's just me but it seems like everyone else is watching a different movie. I can't honestly see how this can get lumped in with Plan 9 From Outer Space or Bride of the Monster's semi-sequel, Night of the Ghouls. It doesn't share those Ed Wood titles' ineptitudes. It is atmospheric, however cheap and while certainly unhinged story-wise (could Wood even write something that wasn't "out there?") it's much more coherent than practically anything else Ed did. And like Brooklyn Gorilla it provides Bela with a showcase of a speech ("Home… I have no home. Hunted. Despised. Living like an animal! The jungle is my home!") – we all know it well from Martin Landau's portrayal of Bela in Tim Burton's Ed Wood biopic. These speeches show that, age, sickness and substance dependency be durned, "that Dracula man" still had the chops.
(Read my essay on Lugosi as Dracula HERE.)

The ‘Burbs (1989) Joe Dante has always been amusingly inventive, and he's kind of the Don Rickles of horror. Rickles skewers his targets with acidic insults and then says he's only joking. Many of Dante's movies… like Piranha, The Howling and Gremlins… skewer the audience with unnerving scares… until the next scene, where Joe reminds everyone he's only joking! Joe has so many great credits but on the underrated side I have to single out The ‘Burbs – which I only saw for the first time recently – because it may be the only post-1967 project to successfully present an "old dark house" thriller in contemporary times without feeling like a throwback. (Read my essay, "The Old Dark Anachronism" HERE.)

4. Name three horror movies that you enjoy against your better judgment.
Vampire's Kiss (1988) No plot to speak of, and what there is devolves into distasteful depths (it is difficult to watch Maria Conchita Alonzo's character being demeaned so) but if you're going to make a movie ambiguous over whether it's central character is actually turning into a vampire or simply delusional that he's becoming a bloodsucker, well, you can't get more (pun intended) bat-sh#! crazy than Nicolas Cage. It really all comes down to him being too broke to buy the good vampire teeth and having to settle for the cheap plastic fangs. That and some insane desk hopping, yelling "too late, too late!" And a disheveled lope through city sidewalks exclaiming in fang-muffled tones, "I'm a vampire!" Oh, yeah: Nic Cage also eats a live cockroach. On camera. For real. No CGI pixels were harmed during the making of this movie…
Jurassic Park 3 (2001). I saw the first and was among the few who didn't care for it. I had no interest in the second and never saw it. I'm not even sure why I saw the third one – either friends wanted to go or I had some time to kill. But this one had William H. Macy and Tea Leoni. And Sam Neill was back. Laura Dern put in a cameo but script-wise it was just by-the-numbers (especially the cameo). You don't watch this for plot or great writing. You watch it to see dinosaurs roll airplanes around as if they are the cardboard tube in the center of the toilet paper roll. You watch it because you can never get enough of the cliché of the annoying or nasty guy ticking everyone off only to meet a grisly end at the claws of the monster (a la such ‘70s schlock-fests as Empire of the Ants and Food of the Gods). You watch it because somehow a franchise that began with a Spielberg-Crichton pedigree has suddenly become every Godzilla movie, every knock-off of a Godzilla movie, Dino DeLaurentis' King Kong remake and Harryhausen's The Valley of Gwangi all rolled into one!
Resident Evil 3: Extinction (2007) Had to kill time between appointments and this was the only film at the theater screening at a convenient time. I hadn't seen the previous two entries and had written the series off as something that would never interest me. Wrong! This is not a great film by any stretch; in fact it's seriously flawed. But after seeing beautiful-and-tough Milla Jovovich in all her zombie-obliterating glory, not to mention the killer homage to Hitchcock's The Birds… the feathered fiends now zombie-fied – well, when the swift 95 minutes were up I found myself amazed over how entertained I was… I hadn't wasted my bucks after all!

GUILTY PLEASURE HORROR-ONABLE MENTION: Godzilla (1998 version with Matthew Broderick). Here's what I've always maintained: if we went back in time to before this film's release, changed its title to Komodo! and removed every reference to Godzilla there'd be a whole bigger batch of us that could appreciate this big, clunky but ultimately fun romp (anyone for basketballs and gumballs?)…
MORE GUILTY PLEAURE HORROR-ONABLE MENTIONS: Giant, irradiated bugs, rodents and assorted critters were well past their expiration date by the 1970s but that didn't stop the schlock-meisters from producing opuses like the afore-mentioned Empire of the Ants and Food of the Gods; not to mention Night of the Lepus, Frogs and Squirm! Although they did benefit from the overlay of mutton-chop sideburns, bellbottom jeans and Valley of the Dolls-style cheese that could only have come from the ‘70s.
SPECIAL BONUS COMBO MEAL: Here's one that I consider simultaneously underrated AND a guilty pleasure: Dead Heat (1988). I revisited the film for the first time in years recently and all the things I remembered were intact: the barrage of bad one-liners (not only the expected ones from SNL alum Joe Piscopo but also some from leading man Treat Williams), the classic (temporarily) "dead man walking" motif that served so many classic horror flicks of the '40s and '50s, the mix of cops and mad scientists. But what I hadn't recalled (or maybe it just didn't resonate with me back then was just how bombastic a film it was. It had an '80s "go-for-broke" attitude about it that was more akin to mavericks like Sam Raimi's Evil Dead 2, Dave O'Bannon's Return of the Living Dead and Stuart Gordon's Re-Animator than to the standard studio fare. It's horror/sci-fi elements were well-handled and just to see horror icons Vincent "the Crown Prince of Horror" Price and Darren "The Night Stalker" McGavin not only in the same film but actually in the same scene's during the film's climax instantly ratchets up the horror cred in my eyes. A fun surprise of a film!

5. Send us to five places on the Internet!
Trailers from Hell. Famous filmmakers from Joe Dante to Edgar Wright and everyone in-between give their commentaries on favorite films as the trailers play. Just go. Repeatedly.
Greenbriar Picture Shows. John McElwee offers insights into both his memories of seeing classic films as well as explorations of how films were marketed and promoted. He peppers each entry with photos you won't see anywhere else. Essential reading.
Frankensteinia. Pierre Fournier's blog's mission is stated right up front: "Tracking Frankenstein and all things related in the arts, media and popular culture." The very existence of this blog will be a revelation to some as Dr. Frankenstein and his monster are more pervasive and influential a force than many folks realize.
Zombo's Closet of Horror. You won't find a more amiable host than John Cozzoli, who guides his readers through entertaining views, reviews and interviews related to movies, TV, comics, literature, etc. within the horror realm.
Horror Digest. Andre Dumas is rewriting the book on movie criticism, particularly horror movie criticism. It's like having a personal conversation with a friend who's feeling the rush of facing her fears… and cracking you up in the process with all her witty, clever and relatable-to-real-life observations!

It's a Horror to Know You: Akesandra of Halloween Costumes.com!
1. What is the first film that ever scared you?
Apparently the late 1980s were a traumatizing time for my young imagination, since both of the films that come to mind were released within a year of one another! First, The Blob, the 1988 version. Watching a grown adult be sucked in his entirety into a kitchen sink by gelatinous pink ooze has stuck with me over the years.

To this very day I feel vulnerable washing my face- who KNOWS what is coming out of the faucet in those tense soapy-eyed minutes! Secondly, the 1989 film Little Monsters. How did this scoot by with a PG rating?? As if Howie Mandel's liver-spotted, devil-horned, mentally unstable character Maurice wasn't bad enough, there is the hunchbacked, snaggle-toothed, sickly blue terror that is Snik. Running and jumping into bed has become a nightly ritual so as best to avoid ankle- grabbage.


2. What is the last film that scared you?

Little did I know what Netflix had in store for me a few weeks ago while innocently perusing their horror selection. A little film called The Girl Next Door caught my eye and 91 minutes later I was hunched in a fetal ball on the couch. This film triggers the same "they wouldn't possibly…oh man they just did" reflex as reading the book A Child Called "It" did. I have the most loving and supportive family anyone could hope for, so the idea of rotting basement cots and unspeakable abuse being committed by the ones who should love you most is one of the most foreign and disturbing concepts to me. Give it a watch if you're feeling brave, but get ready to turn on some SpongeBob afterwards to clear your head. (SpongeBob is to the over-stimulated mind, what coffee beans are to the over-stimulated nostrils.)


3. Name three Horror movies that you believe are underrated.
The Mist (2007). I love Stephen King but have been burned by some of the film interpretations of his literature that were CG laden, low-budget let-downs like The Langoliers. I was shocked and pleasantly impressed with The Mist! The last few minutes of the film will rattle you. I'm not sure that everyone will end up soaked in tears shouting "it's not fair," like I always do, but you will certainly be unsettled.
Quarantine (2008). I am a huge supporter of Jennifer Carpenter's work, and a sucker for found footage film. Combine those elements with the jump out of your seat delights and peek through your fingers moments liberally peppered throughout Quarantine, and this cinematic adventure is one I'll always recommend taking!
High Tension (2003). Okay. I saw the rated R version with English dubbing. But apparently in its original French release as Haute Tension, the rating was NC-17 and it included some additional gore. I'd like to say that the rated R version is plenty grisly for my part. Choose either version, but DO choose one. This film is excellent and delivers exactly what the title promises.

Name three horror movies that you enjoy against your better judgment.
Trilogy of Terror (1975). I'm so excited to mention this! Hopes are never high when the words "made for TV horror film" are involved, but it's so great! It's a three part series, each one starring Karen Black. The creepiest and most memorable is part three, "Amelia." It features a possessed Aboriginal warrior doll with sharp teeth and a miniature spear. Although the doll is no more than a few inches tall, the horror impact is anything but little! The sound of the doll's feet paddling across the carpet is such great foreshadowing, and the noises he emits when he attacks (which is often), are primal and chilling.
13 Ghosts (1960). Gimmicks and camp aren't generally attributes that I seek in a horror movie, but this William Castle classic gets a free pass. The communal experience and camaraderie fostered by the reoccurrence of flashing text that says "use viewer" or "remove viewer" leads to an utterly unique viewing experience. Audience members may use special red/blue glasses (aka hold a piece of cellophane up to your face) and look through the red filter at specified intervals to see ghosts. Alternately, if the scare is too intense you can look through the blue filter and erase the ghouls from site. Red all the way baby!!
Wolf Creek (2005). Someone tried to pitch me on watching this based on the villain being a murderous reincarnation of Crocodile Dundee. I was hesitant, not wanting to ruin the memory of one of my favorite film characters. Turns out, it's awesome!! Gritty, arresting cinematography, and wrought with creepy tension… Mick Taylor could definitely give Mick Dundee a run for his money!



5. Send us to five places on the Internet!
Live For Films.
Great, high-energy film site that will leave you lost in an internet rabbit hole for hours! They're constantly adding horror movie trailers and reviews, quirky film shorts, nerdy artwork, and great content to their video game and comic section.
Video World Made Flesh. The site title itself is a Videodrome reference, so you know you're in good hands. A high brow film blog that mostly focuses on indie films, classic films, and cult films. If you need something intelligent to share at your next film buff soiree, search no further.
Halloween Costumes.com . Well of course I'm biased towards thinking our blog is worth checking out, but feel free to explore and see for yourselves! We post movie reviews, costume how-to's, and makeup tutorials, as well as fun-spirited fare like a listing of this summer's hottest Comic Cons and geeky contests with great prizes.
Dude I Want That. Thanks to this site, I will never run out of gift ideas for anyone, for any occasion. No hyperbole. Their assortment of off-beat zombie themed paraphernalia is especially enjoyable.
HorrorMovies.ca. It's like someone possesses my fingers and makes me visit this site on a daily basis. Great industry news, great reviews, and witty horror lists. I've always wanted to be a scream queen, so their grouping of the hottest horror movie victims is one of my favorites!

Over the years, I have carefully organized my life so that I would never have to watch this movie again. Now it is time. It is time to purge this… demon, this disguised animated maniac, this madman, this nightmare-inducing judicial charlatan, this murderer responsible for the death of Theodore J. Valiant and–rumor has it–the seemingly random killing of Bambi's mother. The VCR is broken. The TV has been long killed. The couch providing a hiding place from Him (to my four year old self, not even God could save me from Him) has long been donated. The original VHS tape, contrariwise, still exists alongside this clot in my preschool memories. It resides wrapped in a plastic bag in my old lunchbox shut inside the trunk of my sibling's electric car. If He somehow escaped the spring-loaded locks of the tape, then He still would have to escape out of the bag, then lunchbox, and then trunk, leaving me the necessary time to run away. But I digress.
Prior to the discovery of "Kindertrauma", I had planned to purge this particular demon by either painting a triptych or consenting to modern cognitive behavioral therapy. Only through those mediums I thought I could symbolically/artistically/therapeutically face off against the bane of my VCR: Judge Doom played by Christopher Lloyd in Robert Zemeckis' Who Framed Roger Rabbit? (1989). I am sure there are numerous entries in the archives tagged with: "Roger Rabbit", "Dip", "Steamroller", and possibly "freeway scheme." If not, then I will speak for all those still hiding behind the couch.
Salutations. My name is irrelevant and private. I am writing under "Anonymous" to protect my identity just in case He ever does enter the real world. Cartoons were already interacting with the fleshy living in that movie. Who's to say that was so far-fetched a fear? I have often wondered why He haunts me more than Cousin It from Barry Sonnenfeld's interpretation of The Addams Family, Hexxus' smog-ridden forms in Ferngully, the hundreds of worms in that episode of Goosebumps on TV, or the silver sight in the often mistaken last episode of Are You Afraid of the Dark? from the year 2000. I didn't ride a carousel for years. No. The cloaked figure of Judge Doom walks and stalks soley on an Island of Memory that He's made his own. To move on, to strip, to conquer Him I had to face my fear. In order to write this entry, I unearthed the VHS. I found a preserved VCR and television set. I rewound the tape. I listened for the click. I pressed play.
"Remember me, Eddie? When I killed your brother, I talked just like THIS!"
My theory: the everlasting fear associated with Who Framed Roger Rabbit? has to do with quantum physics. I'll be brief. This film won three academy awards for its brilliant mix of animation (the second dimension) and live-action (the third dimension). The governing powers of the universe do not condone two dimensions in one space. Only one dimension can rule. The strike of fear of this movie stems from our inner repulsion of a two dimensional world. This reasoning being: 1) We would all die because the heart cannot beat when flattened 2) The 2-D world has its own laws of physics that would leave us one fatal step behind. Regardless of Him, this film drips with utter nightmare fuel. Unintended, but potent.
Due to this theory, Judge Doom emerging from the television screen to get me wasn't that outlandish a fear. I would scream and scream for my brother not to take the tape out. If the movie was turned off prior to Judge Doom meeting his date with dip, he would–in theory–still be alive. As stated before, he just might have come out of the TV to kill. So, I would force my little self to listen to the climax scene. The clot was formed. I slept in my parents' room after every viewing.
This viewing would be different. While the clot oozed with a nostalgic vengance into all fissures of my very soul, the movie's climax–which had been obstructed by the fibers of the couch for fifteen years–came to cinematic life with a steamroller and optical effects.
I came.
I watched until the ending credits.
I wrote this entry.
I conqured (but had to sleep with a bottle of White Out).
I surmise that I won against Him in the end but trigger objects continue to be: a steamroller doing its innocent job on a highway, black cloaks, and the laugh of a hyena in the safaris of the country from whence those bastards came.


Hello Kindertrauma.
I want to thank you again for helping me figure out my two mystery traumas last year. Now I've got another one.
Late 70s, PBS. Story takes place in a small town or village, probably American, 18th or 19th century. Main character is a boy around ten years old. He is friends with a girl the same age. At one point in the story, the girl becomes an outcast for some reason, and there is a heartbreaking scene where she's telling the boy they can't be friends anymore because she's "unclean." I had never heard that word before, so it really stuck in my mind.
Then we see her walking sadly along the riverbank, and a little later we find out that her drowned body had been found. The scene that really shook me was the boy and his father praying, and the father says something like "God, please let it have been an accident." I didn't know what he meant at first, then I figured out he meant that the girl might have drowned herself on purpose.
At the time, I knew what suicide was, but I thought it was something strictly reserved for grownups, like voting or taking drugs. The idea that a child close to my own age could decide to kill herself was a terrifying glimpse into my own mortality. And PBS claims another victory over childhood innocence.
Any help with this would be tremendously appreciated!


PROMETHEUS opens today around these parts so don't expect to find me anywhere except the movie theater. Wild facehuggers couldn't keep me away. RIDLEY SCOTT returning to science fiction is cause for celebration enough but the fact that this movie is going to somehow whisper sweet ALIEN nothings in my ear has put goosepimples on my goosepimples. I know the Internet lives to bleed acid on my sanguine expectations and so away from the laptop I must run!
Since I'm feeling nostalgic amore for all things xenomorphic today I shall shamelessly leave you with a recycled post entitled The Voluptuous Horror of Alien! I realize it is unseemly not to hate everything I do but I'm especially fond of this post because it took a lot of time and work and it ended revealing to me things about ALIEN I'd missed before. Another thing it showed me is that I need to get out of the house more often hence my impending hookey-date with CHARLIZE THERON. Hope everyone has a great weekend and make sure to venture to the theater to support this, let's face it, momentous event! We'll be back with something fresh and less representative of my Ripleyphilia tomorrow!























































































