Year: 2008

Did you know that back in the year 1979 Halloween was almost canceled? It's true. That means no costumes and no trick or treating…nothing. It's almost too painful to contemplate. I know I went out trick or treating on that very night, blissfully unaware of the events that made my monster-in-drag candy hustling excursion possible. Why the government has buried this information is beyond me, but thanks to the brave 30 minute reenactment of these events known as THE HALLOWEEN THAT ALMOST WASN'T the truth can now finally be told.

Most films based around Halloween regurgitate the same information over and over again. You know all that Samhain and All Hallows Eve history type junk. Here the mechanisms of how the holiday works in the modern era are revealed, including numerous facts that many of us are either confused by or completely ignorant of. Did you know that Halloween can only begin when a certain witch flies over the moon? Well it's important to know because in 1979, that fact was used to said witch's advantage in a power play between herself and Count Dracula that began with mild violence and assorted zingers and ended (thank God!) in a disco extravaganza that proved the greatest gifts are rewarded through compromise and subtle blackmail.

At the time of the events, Winnie the Witch found herself struggling with the vast difference between her known internal self and her external public persona. She was tired of being feared and thought of as an uggo. In addition, she was also feeling taken for granted, for even though she worked as hard as Dracula, she got zero credit for her endeavors. (Even in the monster world there is a glass ceiling). At the end of her rope, she decides that the only way to have her voice heard is to go on strike subsequently putting a halt on Halloween altogether.

An obvious influence on the later work of OLIVER STONE, THE HALLOWEEN THAT ALMOST WASN'T looks behind the curtain of what the media would have us believe and reveals, as best as possible, the actual events during this troubled time in history. Assembled to portray the monsters involved in this near tragedy are some of Hollywood's finest. JUDD HIRSCH plays the power hungry, so called leader of the monster group with conviction. He is able to reveal another side of the Count rarely glimpsed before. MARIETTE HARTLEY was nominated for an Emmy for her career-defining role as Winnie, a portrayal that in another actresses' hands could have come off as less sympathetic or at least hen-pecky. Rounding off the assembly line of master thespians is JOHN SCHUCK (Frankenstein's Monster), HENRY GIBSON (Igor) and JACK RILEY(Wolf Man). Two other dudes play a mummy and a zombie priest.

Many of you might want to turn a blind eye to this important film. You may think as long as I get my Halloween why should I care now? That's the type of stinking thinking that causes catastrophe. Make no mistake, this movie is not all preachy and dry, it entertains while it informs. If you don't feel like you personally know Winnie the Witch by film's end then you're just not paying attention. At the risk of revealing the startling conclusion, I recommend that a box of Kleenex be at your disposal when Winnie is confronted with the truth about how others really feel about her. (Be prepared for an appearance by the ultra glamorous HARTLEY you know and love!) Oh, if only all of our nation's disputes could be resolved on a disco dance floor just like they were on that fateful night in 1979. What a wonderful world this would be!

NOTE: In case you have any doubts about the validity of Winnie's claims about being marginalized in favor of Dracula's grandstanding consider this, when released on video the title was changed to the very inaccurate and misleading THE NIGHT DRACULA SAVED THE WORLD. My friends, in reality it was Halloween not the world that was at risk, and it was Winnie herself whose actions saved the day. Yet another example of just what had gotten Winnie's goat in the first place. I ask you is this irony or simply monster world status quo?

Educate yourself HERE, HERE and HERE!

AUNT JOHN SEZ: Hey kids, your Unkle Lancifer and I have to jet off to Delaware today for a last minute, bulk Halloween candy shopping spree. Despite the short notice, we managed to rustle up one the coolest music aficionados on the interwebs for a return babysitting engagement. So everyone, please be on your best behavior for REDBOY, and be sure to check out all of the great spooky, Halloween tunes he has been featuring on BLUES FOR THE REDBOY.

And if I hear of anyone acting up while we're gone, I am coming back with nothing but a bag of Mary Janes! Without further ado, here is REDBOY and his take on the made-for-television masterpiece THE MIDNIGHT HOUR:

Seeing as how Halloween is quickly approaching with all the subtlety of a rocket-propelled grenade, the time has inevitably come for the smell of burning leaves to fill the air, and for elderly neighbors to start crafting popcorn-balls and baking Rhubarb pies to benefit UNICEF and …Oh, wait a minute. I'm sorry. That's Norman Rockwell's America…

Let's back this up a tick.

As an adult, the most frightening thing I and others of my kind will have to contend with this Halloween will be showing up at work sober, that is if we can even recall the season at all, the holidays blending together so much like a TIM BURTON pastiche. It's disheartening, I know, but it wasn't always like that.

If you can imagine, there was a time when kids weren't too fat or too lazy to Trick or Treat; a time when overzealous parents weren't x-raying Charleston Chews looking for dope needles, and eggs and toilet paper could be purchased without three forms of ID. As was customary, children made the neighborhood rounds without chaperons, filled as many pillowcases as time would allow (I personally used different masks and hit the good houses several times) before settling in at home for a scary movie; their poor little tummies on the verge of prolapsing under the weight of all that peanut butter and nougat.

The movie – oh well that was easy. You had the WORST WITCH or the equally safe THE HALLOWEEN THAT ALMOST WASN'T, in addition to the usual programming block of cartoons. And the kiddies were content with that, edging their nightmarish bets with GARFIELD and FAT ALBERT.  But as a seven-year-old too old for the existentialist crisis of IT'S THE GREAT PUMPKIN, CHARLIE BROWN and too young for torture porn, I required something a bit stronger…like THE MIDNIGHT HOUR for instance.

A made-for-T.V. movie lensed in 1985, THE MIDNIGHT HOUR was a relatively bloodless endeavor staring a veritable who's who of "Who the Hell Are They?" including LAVAR BURTON (READING RAINBOW), SHARI BELAFONTE-HARPER, DEDEE PFEIFFER (Michelle's younger sister) and the venerable DICK VAN PATTEN. That's not to say that the film didn't have its charms, or indeed, its teeth, DICK VAN PATTEN notwithstanding.

The plot of THE MIDNIGHT HOUR settles on teenage loser Phil Grenville. Phil just so happens to be the ancestor of local witch hunter Nathaniel Grenville who, 200 years prior, very famously did away with resident witch Lucinda Cavander, effectively ending her curse on the unassuming New England town of Pitchford Cove.

Grenville and his friends, wishing to make an entrance at a "totally rad!" costume party, sneak into the local wax museum to "borrow" some authentic costumes and effects, including a trunk which belonged to Grandfather Nathaniel Grenville. Wisely deciding that grand larceny ain't nothin' without a little funerary desecration, the gang heads over to the local cemetery to inventory the trunk whereby they happen upon an old parchment containing the original spell cast by Lucinda two hundred years ago tonight (What are the odds, huh?).

And if you need one good reason why SHARI BELAFONTE-HARPER's character should NOT read that friggin' spell out loud, in addition to the fact that it is Halloween night two-hundred years to the day, then consider momentarily that she also just so happens to be the ancestor of hanged witch Lucinda Cavender. Needless to say, all kinds of undead wackiness ensues.

THE MIDNIGHT HOUR is just the kind of light-hearted romp networks go weak in the knees for. Shot on the cheap and with little fuss, it was the perfect band-aid for a typically quiet network holiday. Though for all its comedy and near-misses, there is some genuinely creepy stuff going on, enough to freak out even seven-year-old me.

To say the dead rise from their grave to plague Pitchford Cove would be an understatement, as coffins literally explode (!?!?) from the ground in a shower of dirt, loosing vampires, werewolves, even (I shit you not) a seven-foot tall zombie serial killer who is more than a little pissed-off at his having been fried in the electric chair. As the evil begins to spread through Pitchford Cove, the townspeople themselves become all manner of undead.  The local zombified judge (already an abusive alcoholic dick even before he was dead) attempts to bash his son's head in with a rock before deciding on the less violent alternative of strangling his punk-ass to death on top of a Cadillac Deville.

To make matters worse, two hundred year old witch / vampire Lucinda shows up to the Halloween party, attacking great granddaughter SHARI BELAFONTE-HARPER (rather incestuously) in the wine cellar, latching onto her neck like a lamprey in slo-motion as bottles of Merlot burst off the shelves to the tune of 'How Soon is Now' by The Smiths.

That's another thing, THE MIDNIGHT HOUR has one of the best soundtracks of the eighties (second only to RETURN OF THE LIVING DEAD).With Sam the Sham and the Pharaohs, Wilson Picket, Credence Clearwater Revival and narration by Wolfman Jack, it certainly left an impression on most of the 'tweens who saw it, undoubtedly contributing to the film's cult status.

The movie spends a lot of time padding out the heavy stuff with some zombie comic relief, including a midget zombie and an undead heavy-petting session, giving way to a ridiculously out of place '80s song and dance number so indicative of 'Thriller' that Michael Jackson might just have legal recourse to punch director JACK BENDER in the face.

Following all the moon walking and rotten crotch-grabbing, the terror gets right back on track as the darkened streets of Pitchford Cove begin to resemble Beirut – cars burning, littered with garbage – as the undead infect every last citizen down to the milkman (They even vampirized the goddamned dentist!).

It isn't long before grandson Phil Grenville, along with a hot, and strangely non-putrefied dead cheerleader named Sandy, put two and two together and figure out the secret to stopping the curse. Only problem is they have to contend with an undead PETER DeLUISE of '21 JUMP STREET fame…and if that doesn't traumatize you, then you are already dead inside.

Will Phil Grenville succeed?

Will the town of Pitchford Cove get swallowed up by Lucinda's curse?

Will ABC be able to recoup their production budget in ad revenue?

These are all questions that I could have cared less about as a kid. I was just happy that network T.V. was showing a horror movie before bedtime.

THE MIDNIGHT HOUR actually holds up pretty well upon repeat viewing, not that ABC has ever endeavored to show it again since its original broadcast. Nor can the average gen-x'er afford the steep $400 price tag the movie tends to fetch on DVD (!?!?). Sure the feathered hair and shoulder-pads are undeniably 80's, but the darker moments – witchcraft, teenage death, etc – are still strong in the minds of viewers today, even if the requisite ghosts and goblins have not fared nearly as well.

Speaking of… while sitting at your house this Halloween, waiting for that smattering trick-or treaters to drop by dressed up as characters which you are so far removed from culturally that you don't even recognize, just remember that there was a time not long ago when the holiday was not strip-mined by Hallmark and sponsored by Commerce Bank; a time when Halloween was a full scale riot for candy supremacy, and the dead roamed the land with earthly feet.

Unlike good ole' Lucinda Cavender, the real curse of Halloween is disenfranchisement, but that ain't nothin' that a little network T.V. and about 15 rolls of Smarties won't cure.