
Today is going to stink because SHIRLEY TEMPLE is dead. I have to thank SHIRLEY for THE BLUE BIRD (1940) which had a big impact on me as a kid and for helping me write this review of ROB ZOMBIE'S HALLOWEEN II.

your happy childhood ends here!

Today is going to stink because SHIRLEY TEMPLE is dead. I have to thank SHIRLEY for THE BLUE BIRD (1940) which had a big impact on me as a kid and for helping me write this review of ROB ZOMBIE'S HALLOWEEN II.


I have particularly been fascinated by traumatic media products from the Cold War era, particularly those which traumatized entire generations of Baby Boom youngsters with warnings of imminent death – often traumatizing their parents as well. Just yesterday I first came aware of such a film on a small-time digital television channel – the 1963 film "Ladybug, Ladybug" about the heart-rending choices made by some school teachers and the children when they think an atomic attack is imminent. I was unaware of this amazing and influential film of its era, which evidently traumatized a whole generation of viewers.

I mentioned this film to a former boss of mine, who grew up during the peak of the Cold War, and in turn he recounted to me another such seminal event which amazingly had slipped through my awareness, but not from his generation, even after 58 years.
It all surrounded a little harmless 6 minute short film, shown to 50 million or so viewers by no less than Ed Sullivan. On May 27, 1956, he decided to show his vast live audience an animated film produced by a British husband and wife, entitled "A Short Vision", to show the futility of war, and in particular to commemorate the dropping of the first H-Bomb by American warplanes a week earlier. Given that the subject matter for his show normally entailed acrobats and men spinning plates on poles, this insertion at the end of the show truly came from left field. After a very mild warning to the viewing audience that suggested that they send the children out of the room, he aired the animated film to a stunned studio audience, and television audience nationwide…

The music and images, and even droll British narrative truly create a brief nightmare scenario, where even animal predators and their prey suddenly flee together to hide from the menace overhead they now sense. Audiences in 1956 could not have been prepared to see Caucasian people, overnight in their sleepy town, awakening to have their eyes and faces melt in the glow of a thermonuclear blast, as life on earth is quickly extinguished. Obviously, this created a sensation in the papers the next day, as they described the "shocking" film Sullivan had unleashed on the public. The outcry was so massive, that Sullivan aired the movie a second time, two weeks later, but with a more stringent warning for young people. However, by various means, many young people did glimpse it, and evidently were never the same afterwards.

My boss, 58 years later, remembers being sent to his room by his parents when it was being aired, but heard the film's audio through his bedroom wall – a memory still vivid in his mind. Others were not so lucky. One blog page (HERE) devoted to the movie notes one responder at the site who not only viewed the traumatic piece, but had met another baby boomer who as a child had watched A SHORT VISION alone when it aired, and it was medically determined that his hair began to permanently turn white in response to fright from seeing it. Now I call that a traumafession!

I am curious to know how many more of these long-forgotten productions that suggested the imminent nuclear destruction of earth and had imprinted upon a generation are still waiting to be discovered. I caught the tail end of such movies before the collapse of the USSR, when my church youth group left the Sunday night service to watch the well-publicized national airing of "The Day After" in 1983, resulting in our stunned silence, as well as the subsequent discussion shows on air concerning nuclear destruction, featuring commentary by "concerned parents" and other figures (ABC even ran 1-800 numbers then for viewers to call in and talk to counselors, as well as books people could get on nuclear war; even Mr. Rogers had a series of shows on nuclear war afterwards, to help calm youngsters). Later in 1987, another miniseries "Amerika" was run, where the United States had been overtaken by the USSR, prompting yet more citizen-led discussion groups – also, I vaguely recollect, leading David Letterman the next evening to hold citizen-led discussion groups concerning the other movie shown during the "Amerika" time slot that night – "The Facts of Life Down Under".

Do any of you recollect other "end of the world", nuclear holocaust movies or shows that caused sleepless nights for you, or your parents?

Here is the only sporting event anyone should ever give a hoot about (besides BATTLE OF THE NETWORK STARS and THE LAFF-A-LYMPICS)… It's GRADUATION DAY vs. FATAL GAMES and YOU are the judge! Are you team SALLY KIRKLAND or team CHRISTOPHER GEORGE? Which film has the more grating and therefore superior soundtrack? Who will survive and what will be left of your brain cells? Watch them both today, back to back and YOU will be the ultimate winner!





Hello there, Kindertrauma-keepers!
First of all, I would like to thank you for all the great work you do; your online-storage of children's fears is a great source for psychological studies and opportunity to have new thrilling experience.
My main traumatizer is the audio performance I had on vinyl, based on L. Moore's tale "Little Raccoon & The Thing in the Pool". It is definitely one of the most disturbing records I've ever listened to and it always causes the same effect: my heart aches & I cry involuntarily. Even positive heroes there sound like monsters, music is unbearably scary (just check intro after the first line of the narrator — "Little Raccoon lived in the forest with his mother…"), the atmosphere is full of suspense & latent anxiety.
One of the most unpleasant moments on the record is the conversation between Little Raccoon & Fat Rabbit (6:50 — 7:50); fright in Little Raccoon's voice and wicked exaltation of Fat Rabbit, accompanied with increscent music. Here's my free translation of their dialogue:

(PUSH PLAY) [sc_embed_player fileurl="https://www.kindertrauma.com/wp-content/uploads/raccoonpool.mp3"]
Fat Rabbit (FR): And what would you do if he attacks you?
Little Raccoon (LR): Who is "he"?
FR: He is… is just he.
LR: B-b-but… what about you?..
FR: Me? I'd run away. You see my big feet? I'd run away — and that's it. But you — you are going to Fast Creek… well, well, well — and you are not afraid of him?
LR: Tell me who is "he", tell me!
FR: He is the thing who sits in the Pool!
LR: Where?
FR: IN THE POOL! HE SITS IN THE POOL! IN THE POOL! I… I am afraid of him myself.
I believe that one day I overcome my fear; maybe, this sharing will help.
Yours respectfully,
Tim (Saint-Petersburg, Russia)
UNK SEZ: Thanks for the wonderful traumafession Tim! I found an animated version of "Little Raccoon & The Thing in the pool". Check it out!
And it looks like that tale is told in this neck of the woods too. It's a small (and kindertraumatic) world after all!

NEEDFUL THINGS (1993)

I was less than smitten with this one when I watched it upon its video release way back in the olden days. I found it sorta lame, tired and dull. Now that I'm sorta lame tired and dull myself, I totally get it! Thanks for being patient NEEDFUL THINGS! Young folk don't like to hear it but there really are some things that you can't fully appreciate until you've got some miles on you. A few broken dreams under your belt might be required to empathize with the desperate actions of the townsfolk of Castle Rock. Scares are scarce but there's plenty of pitch-black social commentary in this Faustian consumer nightmare and what a perfect cast. You couldn't possibly do better than MAX VAN SYDOW as the devilish Leland Gaunt and if you're not of fan of ED HARRIS our friendship is over. Who among us can resist the fascinatingly unhinged savoir-faire of AMANDA PLUMMER? Who?

Observant viewers will catch a creepy glimpse of LISA BLOUNT (R.I.P.) of PRINCE OF DARKNESS (1987). It seems her role was severely cut from the theatrical version of the film (She makes a bigger dent in the three hour long TV edit apparently) but she still makes a brief, strangely haunting appearance in a crowd scene toward the end. I have to bow down to the BLOUNT, she etched a permanent scar on my brain with her memorable role in DEAD AND BURIED (1981). Truth told this particular KING tale would have been better served as a miniseries in the first place, where each character might have gotten a fairer shake but it's still a nice if short visit and if you're in the right state of mind, it's funny as hell.

DOLORES CLAIBORNE (1995)
KATHY BATES was soooo good in MISERY that the Academy of Motion Picture Arts and Sciences had to give her an Oscar or else they'd look like total jackasses. But then a couple years later when BATES did DOLORES CLAIBORNE they were all like "Back for seconds so soon, are we Kathy? You might want to slow it down on the STEPHEN KING material, if you want another one of these gold dudes." Here's the thing though, the truth that nobody can bear to hear without losing their mind to madness…BATES's performance in DOLORES CLAIBORNE is ten times better than her performance in MISERY. Sorry, it's just so true and somebody had to say it. I apologize if I just made you spit coffee on your laptop screen. It's a much more complicated and challenging role and she's so seamless and smooth in it. I guess the difference is DOLORES makes you feel sad and guilty and real empathy for those who struggle silently in this world and that's no competition for the crowd-pleasing condescension that MISERY allows. (I love me some MISERY but let's be real.).

And what the hell Academy? You didn't think maybe you should nominate JUDY PARFITT for best supporting actress for her role as Vera Donavan? Are you insane? She only travels from steely witch to sympathetic confidant to heartbreaking crone throughout the course of the film. Oh, I see, you had to give that award to MIRA SORVINO. That makes a lot of sense. What a joke. I don't know how Academy voters are able to look themselves in the mirror without ripping their own eyes out in a shame rage induced by the realization of what unscrupulous frauds they are. That's right, I call shenanigans!

Oh and TAYLOR HACKFORD's direction! Holy crap! It's so beautifully expressive and so painterly and emotionally vivid. And the way he orchestrates the different time periods with opposing film stocks and visualizes the character's mental states with finely tempered doses of MAGRITTE-inspired surrealism. I mean, c'mon people! O.K. I admit the inquest scene is a total wet noodle that robs the conclusion of the bite it deserves but too late- I already love the movie.

SALEM'S LOT (2004)
This one isn't so much underrated, as it is vehemently hated. People who don't dig it REALLY don't dig it. I don't get the furor. It's certainly not as scary as TOBE HOOPER's original stab and it pales to the experience of reading the mesmerizing novel but it's hardly the worst adaptation. Maybe I'm just a sucker for getting lost in a miniseries. I love the town, the ominous Marsten house and the coldness of it all. Plus RUTGER HAUER! Maybe I'm wrong. That's fine by me. I can be wrong and happily watch this again.

THE NIGHT FLIER (1997)
I know we were just talking about this one but it's worth repeating, THE NIGHT FLIER is one under the radar gem of a flick. It's like this great mysterious adventure and then when it gets down to business and (literally) opens its jaws, it's some kind of wonderfully scary. I know it doesn't look good. It is.

MAXIMUM OVERDRIVE (1986)
It's KING's directorial debut! It can't possibly be as terrible as its reputation would have us believe? Right? As someone who just recently watched it, I can tell you- yeah, it is pretty crummy…but therein lies the fun. It's a trash-tastic B-movie salute to ‘50s drive-in flicks and maybe even a mechanical parody of THE BIRDS. Let's just call it a mess with a middle section that makes even me yawn but what a hilarious hoot in places too. So much of what made it a dud when it came out in the ‘80s makes it a gloriously delicious time capsule stuffed with abysmal head scratchy dialogue today. For all of its faults, I can't resist the AC/DC score and the hilarious performance by THE SIMPSONS' YEARDLEY SMITH. Isn't that enough? Would folks rag on this so much if somebody else directed it? I doubt it. All you need to enjoy this is a sense of humor and maybe more alcohol than your doctor would approve of. In any case, this flick represents one of my favorite things about the author. No matter his success, he never gets so highfaluting that he forgets the low brow sparks that got his imagination roaring in the first place. When we talk of STEPHEN KING and horror movies, "Who made who?" is a valid question.


Hiya!
I Just thought of another thing that scared me as a child. The only problem is, I don't know what it's called! It was a game for the PC from the '90s and in the game you are trapped inside a haunted house. The only way to get out was to search the house to find thirteen keys before the clock in the house struck thirteen o' clock. If it struck thirteen, the game was over. Characters would appear in the room you are in now and again and you could give these characters an item and they will give you one in return (sometimes a key). There was a two headed monster, Frankenstein, a female vampire, a hunchback, a little boy, a mad scientist and a genie or ghost named Graeme (only character name I can remember). Characters weren't the only thing to appear, but monsters would also appear every now and then. These monsters weren't friendly as they would attack you if you didn't leave the room in time. My older brother thought that some of the monsters were wimpy, but they did scare me. Especially the hangman victim who grew long fingernails and clawed you! That affected me for ages afterwards.
If anyone can help me figure out the name of this game that will be great.
Thank you!
UNK SEZ: Thanks for writing in Michelle! I believe I found your game. You were very close on the ghost's name but it was actually "Gahan" as he was named after the man who inspired the game, kindertrauma legend Gahan Wilson! The game is called GAHAN WILSON'S ULTIMATE HAUNTED HOUSE. You can read up on it HERE and HERE and there are plenty of videos on Youtube to check out if you want to revisit some haunted memories!


Look at this nice thing I found for you dear people. It's THE NIGHT FLIER, which is based on a STEPHEN KING story and it's looking pretty sharp! This is seriously one of the better adaptions of KING's work, so it's really a shame that it has become so hard to come by lately. Maybe you can help change that by signing the petition HERE to have it released on Blu-ray! It is truly is a outstanding flick. It's almost like a lost X-FILES episode and not only is it suspenseful and funny, but I think it hits a pretty horrific and disturbing note as well! It is sure to leave you with three giant questions: Why doesn't MARK PAVIA direct more?, Why don't we have more movies with JULIE ENTWISLE in them? and Why don't people throw awards at MIGUEL FERRER every time he leaves his home? Be kind to yourself today by watching THE NIGHT FLIER below….
Also: Check out this oldy moldy list of SEVEN UNSUNG VAMPIRE FLICKS!


IT'S KINDERTRAUMA DECODER PUZZLE!
1. Identify the clues above.
2. Combine the clues. What do they have in common?
3. Fill in the blank with your guess:
THE HORROR OF ____________.
The first person who gets it right will find a free pizza hidden somewhere in their home.
That's not true. Please don't look for it.


BUCK ROGERS IN THE 25TH CENTURY is a horror fan's friend. Don't you remember that scary space vampire? All right, maybe he wasn't that scary but his influence on the usually unflappable Col. Deering (ERIN GRAY of JASON GOES TO HELL) sure was. Wilma got wacky.

And remember when our pal JAMIE LEE CURTIS needed a break from being chased by an unstoppable killing machine in HALLOWEEN and being chased by an unstoppable killing machine in HALLOWEEN 2 and so she stopped by Buck's neck of the universe to get chased by an unstoppable killing machine in space? While wearing pajamas? Even in space, orange is the new black!

No folks, you can't escape from horror, not even in the 25th century! Let's look at some other instances where horror acted like peanut butter and Buck (THE STEPDAUGHTER's GIL GERARD) acted like chocolate and they both smooshed together in mutual space flavored deliciousness!

Awakening, Part 1 & 2
Yikes, mutants! Mutants are not the living dead but they sure seem to have graduated from the same charm school. Watch them try to kill Buck in a foggy graveyard of all places!

Planet of the Slave Girls, Part 1 & 2
This one has got both JACK PALANCE of ALONE IN THE DARK and WITHOUT WARNING and RODDY McDOWALL of LEGEND OF HELL HOUSE and FRIGHT NIGHT!

Vegas in Space
Hooray it's RICHARD LYNCH of BAD DREAMS and THE PREMONITION and PAMELA SUSAN SHOOP of HALLOWEEN II!

The Plot to Kill a City: Parts 1 & 2
Geez Buck, what's with all of these two parters? Well, this one doesn't have any horror people in it. Wait! Ack! It's ANTHONY JAMES the evil chauffer from BURNT OFFERINGS behind that mask! Oh, I must go cry in a corner now.

Return of the fighting 69th
The hits keep coming! This episode features ROBERT QUARRY of COUNT YORGA, VAMPIRE and its sequel, DR. PHIBES RISES AGAIN, MADHOUSE and SUGAR HILL!

Unchained Woman
This is that famous JAMIE LEE CURTIS episode that I already mentioned but wait that's not all! Look! It's dear TARA BUCKMAN who not only played a chummy sidekick of horror royalty ADRIENNE BARBEAU in THE CANNONBALL RUN but made her own permanent slash on the genre in SILENT NIGHT, DEADLY NIGHT!

Planet of the Amazon Women
It's pretty ANN DUSENBERRY of that LIES (1985) flick I love so much and look there's JAY "Dr. Shrinker" ROBINSON who was in BRAM STOKER's DRACULA and THE SWORD AND THE SORCERER among others! This episode also famously contains one of the few times in television that a grilled cheese sandwich was used in a threat…

Cosmic Wiz Kid
It's that pesky GARY COLEMAN episode. In an obvious attempt to infuriate me, nobody ever cast GARY COLEMAN in a horror film. Jokes on them, for if they had, that movie would be seen, loved and owned by every single human that is not an imbecile. I'm not bothered, I'm undaunted, we'll just have to go the proximity route; Willis did TWICE DEAD, Kimberly was in EXCORCIST 2 and good old Dudley is in FRIDAY THE 13TH PART 5. Oh, and Adelaide was totally in MORTUARY ACADEMY. If unsatisfied please consider the HELLO LARRY crossover episodes which featured KIM "I wanted a Vanilla twist" RICHARDS and the legendary DONNA WILKES (ANGEL, GROTESQUE, BLOOD SONG).

Escape From Wedded Bliss
In this episode nemesis Princess Ardala's right hand man Kane gets a facelift. He is now portrayed by MICHAEL ANSARA (THE MANITOU, IT'S ALIVE) rather than HENRY SILVA (1979"s THIRST).

Cruise Ship to the Stars
Here's a good one! FRIDAY THE 13TH: PART 4's KIMBERLY BECK is a "transmute" which means she transforms into an entirely different person whenever she's having a bad day. LEIGH McCLOWSKY, star of DARO ARGENTO's INFERNO tries to exploit her talents in order to off GALIXINA's DOROTHY STRATTEN!

This LOVE BOAT -inspired gem gets additional points because the background extras are either in bathing suits or disco dancing, Twiki meets a robo- girlfriend and Wilma is forced to wear a MARCIA WALLACE wig.

Space Vampire
Still a better love story than TWILIGHT!Har-har, I always wanted to say that. Now I feel cheap- and yet somehow closer to my fellow man. This episode is a stone cold classic. And really, you can view it as a vampire vs. werewolf tale because look who guest stars in it! Why, it's THE HOWLING'S CHRISTOPHER STONE wearing a moustache that puts the space vampire's unibrow to shame! Take that, evil Volvron!

Happy Birthday Buck
Every 534th birthday party should have PETER MacLEAN of SQUIRM, MORGAN BRITTANY of SUNDOWN: THE VAMPIRE IN RETREAT and THE INITIATION OF SARAH and TAMARA "Cleopatra Jones" DOBSON on the guest list.

A Blast For Buck
I'm glad somebody is having a good time. Geez, Buck what the hell are you doing having a clip show in your first season? Bee deep Bee Deep Bee deep indeed.

Ardala Returns
Wow, that Ardala sure can't take a hint. Now she's just looking desperate. She's gone and made clones of Buck! Did Kane really just ask " What could she be doing with three Buck Rogers for almost an hour and a half?" Maybe I'll just ignore that and point out that feline henchman "Tigerman" is now played by wrestling legend HARD BOILED HAGGERTY who's also in the classic TV movie CURSE OF THE BLACK WIDOW (1977) and DEATHSPORT (1978).

Twiki is Missing
This is a favorite because it features underrated scream queen ANNE-MARIE MARTIN of THE BOOGENS, PROM NIGHT and a tiny smidge of a scene in HALLOWEEN II fame. She plays a space angel with CARRIE-esque telekinetic powers.

Did you know our ANNE -MARIE was once married to MICHAEL CRICHTON and that JURASSIC PARK is dedicated to her? She's also really into horses and owns a MAGRITTE. All right, she's my new hero and I'm not just saying that because she got 31 million dollars in the divorce settlement.

Olympiad
I hate to break it to Vladimir Putin but if this episode is any indication, the future of the Olympics looks super gay. Here we get JUDITH CHAPMAN who was in 1991's DEAD SPACE, DAY OF THE ANIMALS & THE MANITOU's PAUL MANTEE, PAUL COUFOS of 976 EVIL 2, FOOD OF THE GODS 2 and CHOPPING MALL and BARNEY Mc FADDEN of SALEM'S LOT.

A Dream of Jennifer
Buck meets a gal who looks exactly like the girl he left behind and she's played by beautiful ANNE LOCKHART. Did you know LOCKHART was JOHN CARPENTER's first pick to play Laurie Strode in HALLOWEEN? It's true. I don't make stuff up. It's hard now to imagine anybody else besides CURTIS playing Laurie but I totally get where CARPENTER was coming from and it's not too hard to imagine lil' DANIELLE HARRIS staring at this photo mournfully in PART 4…

You'll also find in this episode, PAUL KOSLO of XTRO II, OMEGA MAN and ROBO JOX, JESSIE LAWRENCE FERGUSON of JC's PRINCE OF DARKNESS and the coolest person who ever walked on the face of the Earth, MARY WORONOV (SILENT NIGHT, BLOODY NIGHT– ROCK & ROLL HIGH SCHOOL and many more.) Let me also state that WORONOV is a gifted writer and painter and an all around national treasure.

Space Rockers
I hate when people do this but I'm doing it anyway: Best. Episode. Ever. I'm sorry, but Just look at that title "space Rockers" and let it ferment in your brain. Now try to comprehend that this baby also features two of the sexiest people in entertainment, RICHARD "NIGHT TRAIN TO TERROR" MOLL and JUDY "HELLHOLE" LANDERS! Youch! This rocket ride is so hot it should come with a cold meteor shower!

Buck's Duel to the Death
Oh no, things are getting serious now; Buck must fight "the Traybor"! The Traybor is half robot, shoots lightening and is played by WILLIAM SMITH of INVASION OF THE BEE GIRLS and MANIAC COP who everybody knows can beat up anyone even without the help of lightening. HEIDI BOHAY of 1982's SUPERSTITION is not going to be of much help!

Flight of the War Witch
Now it's time for a very special two hour-long season ender. Buck gets lost in a wormhole, meets a nasty space witch named Zarina (Thanks for almost-everything JULIE NEWMAR) and somehow poor Princess Ardala (PAMELA HEMSLEY) finds a new dimension to humiliate herself in. If you want horror stars you got em! How's about PSYCHO & PSYCHO II's VERA MILES and living legend SID HAIG (SPIDER BABY, HOUSE OF 1,000 CORPSES)?

All right, now it's time to bid farewell! I was going to do season two as well but that's just crazy. Maybe some other time, how does never work for you? There is a very creepy Satyr episode in season 2, I can tell you that much. But right now I'm beat and I'm bushed. In fact, I feel like I could sleep for a couple hundred years! Maybe a little "disco inferno" will wake me up…
