The Brothers Lionheart is a film I saw as a child that stuck with me because the two kid main characters die almost immediately and their afterlife is full of danger and struggle as well, and the film ends with them deciding to kill themselves again to get into yet another afterlife!

The film starts by introducing the main character, a terminally ill boy who lives with his older brother. He's scared to die and his brother comforts him by telling him about the land you go to when you die, a magical valley full of adventure. An immediate gut-wrenching twist is that the older brother dies first, saving his brother from a burning building by jumping out a window and dying from the fall. Then the younger brother dies shortly afterward and the rest of the movie takes place in the afterlife. 

The afterlife seems all fun and medieval at first and the brothers are re-united, but soon you find out that there are two valleys in this land, and the other has been conquered by an evil army of black-cloaked and helmeted soldiers backed by a dragon and they have to fight to make sure their valley isn't next. The rest of the movie is about the fight to overthrow the oppressive villains. At the end of the movie, they've defeated the bad guys and the dragon, but the older brother has been burned by dragon fire and is going to become paralyzed. He wants to die, and so the younger brother agrees to carry him to a cliff and jump to their deaths so they can get to the next magical afterlife, which will be peaceful. And after they do that, the movie just ends with a shot of their shared tombstone.

One's fear of something can sometimes be about repeated occurrences. Seeing something once that sends a shiver up your spine – that's one thing. Seeing something more than once – worse yet, coming at you in concert: that's something altogether horrifying. A singular greeting to horror, multiplied by two, one can likely think of nothing worse. It's a promise to horror. And it's two-fold.

Now, I'll admit I saw Stanley Kubrick's The Shining earlier than I should have in my young life. Luckily, my parents at least had the foresight that I wouldn't see it until it aired on national TV, but no amount of censorship can really transform The Shining into a family-friendly film. One wouldn't imagine that the cannibalistic Donner party could be made prime time appropriate either, but that doesn't stop father Jack Torrance (Jack Nicholson) from momentarily talking about it with his son Danny (Danny Lloyd). And that's alright too, because Danny had already learned about it on his own by watching about it on the television. And Jack assures his wife Wendy (Shelley Duvall), "It's all right. He saw it on the TV." 

Everything is alright on the TV. 

When it came to The Shining, network TV cut from the film much of the blood that came crashing through the elevator doors, washing over the Overlook Hotel's lobby floor tile. It cut away when Mr. Hallorann (Scatman Crothers) served as a catcher's mitt for an ax in the hands of an enraged Jack. It certainly blurred out the woman's naked breasts in room 237, but the network couldn't easily remove the Grady twins from the film, and they were more frightening to me than anything that had to be cut out. Seeing the film for the first time, I was as alarmed as anyone when little Danny rounded that hallway corner on his three-wheeler to discover the spectral Grady girls waiting for him, and for me – and likely for others – the two were a central source of dread. 

Yet unlike the other elements of the film that needed to be censored for prime time TV, all that made the Grady twins frightening was their portent. What made them terrifying was not an ounce of blood nor the insinuation of violence. It was what the Grady girls introduced to the film, what they beckoned to Danny and the viewer, seemingly echoing to him before the Torrance family moved to the Overlook. "Well, let's just wait and see," she says to him. "We're all going to have a real good time."

And we would have a good time, over the course of the film. 

We would also have an absolutely horrifying time.

From memory, I can't write that my parents allowed me to watch the film for its full duration. But they didn't have to let me watch more than the film's first 30 minutes to traumatize me, in large part due to the Grady girls. They remain one of the most haunting ingredients of the production. There is something scary about the image of the girls' dead bodies in that hallway. (Few filmmakers have captured the realistically unnerving collapse of bodies like Kubrick, outside of Coppola or Scorsese.) But more alarming than the image of the girls' violent demise is the invitation that they first provided to me and the rest of the audience. That's what remains so haunting about Kubrick's production. It wasn't about the more surreal images in the hotel that visit us (and few could discomfit us more than the man dressed in the dog outfit). It wasn't about the circuitous garden maze that we – like Danny – ran through, trying to escape a murderous father who promised would never hurt us. It's not even about the nature of the maze itself, an ordinarily juvenile house of seek and discovery, which was only made more terrifying because the playground was suddenly ruthlessly real, even if it was meant to be nothing more than some gravel, landscaping, and subterfuge. 

When I saw the film as a child, the fright of Kubrick's movie had much more to do with that first glimpse of two girls – not one, but two – in that wallpapered hotel hallway early in the film. It had to do with the manner in which those girls gently usher the audience into the film's mounting terror. While unexpected, their emergence – welcoming the viewer into another two hours of horror – should have seemed harmless, especially since I saw it like so many other people did on the television.

Even when Jack Torrance tragically promised us: it's okay as long as we saw it on the TV.

My earliest film-going experience was seeing JAWS in a drive-in as a child. I recall one of my parents telling me if the movie got too scary I could opt to look out the rear window of the station wagon at the screen in back us. That screen was showing THE REVENGE OF THE PINK PANTHER. I did not understand why a film claiming to be about the Pink Panther was not a cartoon.

Of course, I loved JAWS. What child could resist JAWS? Me and my brothers later went on to play JAWS in the pool, own a rubber shark toy and name our first gold fish JAWS who was later replaced by JAWS 2 before there was an actual movie sequel with that title. JAWS was a true cultural phenomenon in the seventies and whenever I watch the film now, it's like I'm jumping through a time tunnel back to my youth.

Anyway, as much as every scene featuring the shark in the movie thrilled me to no end, there's one moment in the movie that really stuck out and lingered in my mind. You likely know exactly the one I'm talking about. Late at night, Police Chief Martin Brody (Roy Scheider) and oceanographer Matt Hooper (Richard Dreyfuss) come across what looks like the half-sunken abandoned boat of Ben Gardner (Craig Kingsbury) who had earlier gone in search of the shark hoping to kill it and collect a reward. Matt gets in his scuba gear to check out the bottom of the boat where he finds a chomp-y shark bite-sized hole and a large tooth. All is quiet and dark when suddenly Gardner's bloated, blue, floating head appears complete with one bugged-out eye and another missing and a frozen expression of sheer terror. The head so startles Matt that he drops the tooth. It's undoubtedly one of the most effective jump scares in cinema history.

Recently JAWS was re-released all digitally cleaned-up and sporting brand new 3-D effects so of course, I jumped at the chance to see it. It turned out to be an incredible experience to watch this film that I've seen countless times over the course of my life in a brand new way. It's absolutely stunning. The funny thing is that even though I could not have been any more prepared for the appearance of Gardner's floating head popping out, it still somehow made me jump once again. John William's incredible score blasting on the speakers almost makes it impossible not to flinch. Countless things have changed over the course of my life but there are some things that will always stay the same. JAWS will always be a masterpiece and Ben Gardner's head will always startle the living daylights out of me.

Once upon a time in 1976, Margaret Hamilton reprised her role as the Wicked Witch of the West from THE WIZARD OF OZ ('39) on Sesame Street. It didn't go over so well; the episode freaked out many a child, there was a barrage of complaints from parents and the episode was pulled from future airings. Interestingly, the previous year, Hamilton appeared on Mister Roger's Neighborhood where she explained to the delight of children everywhere that her role as the witch was only make-believe. For some unknown reason, the folks of Sesame Street decided to throw all that goodwill into Oscar's trash can by suggesting that kindly Hamilton, sans green make–up, was in fact the evil witch in deceitful disguise; a witch who threatens to turn Big Bird into a feather duster! You can watch the unearthed Sesame Street episode HERE & the Mr. Rogers episode HERE and please don't mind me if I utilize this occasion to tell you about the time when as a kid, I met a horrifying witch myself!

I'm guessing I was seven or eight when I was sent to sleep-away camp. It seemed exciting at first and I could not get my head around the fact that some of my fellow kids were crying and homesick. Were they crazy or just babies? I assumed both. I was pretty happy to be somewhere new and unfamiliar and I had recently learned a new sport that I was actually good at called "bumper surfing." Ya see, cars drove real slow as they passed through the campgrounds so if you saw a truck go by, you just jumped on the back bumper and rode it for a spell. What could possibly go wrong?

One day I was talking to a camp counselor when the perfect truck with a fat bumper drove by. With the arrogance of an ignoramus, I cut the counselor off mid-sentence and basically advised them to "hold that thought" as I ran toward the vehicle, jumped on the back, and took it for a jaunty ride. I returned to the camp counselor to find a look of complete horror on their face about what they had witnessed. They asked if I knew the people in the truck and I shrugged and said no. Their eyes widened. I was told my actions were so severe that a demerit would not suffice; I had to go speak to the head of the camp!

I was taken to a large tent and instructed to wait outside. I watched the silhouette of a hunchback hag scramble about within and it was straight out of SUSPIRIA even though I hadn't seen that movie yet. Eventually, I was summoned by the decrepit woman with glassy eyes and harangued for what seemed like terrifying hours. I remember none of her grizzled gobbledygook except her closing sledgehammer statement, "If I wanted to kill myself then I should go ahead because nobody would miss me when I was gone." Hmmm, ok, that stung. I held it together until I made it back to my tent and then I lost it. I started crying just like those crazy babies I had previously looked down upon. The old witch was right! I could feel it in my bones. Nobody would care if I lived or died. The world would keep turning and it's possible my parents would be nothing but relieved. The witch had cursed me with this terrible knowledge that was always there but I had been pathetically blind to before. I would never be happy again!

Yet somehow I eventually got over it and camp wasn't so bad after all. Once during a hike, we saw nude sun-bathers on the beach! Incredible! I also painted an owl on a smooth, round rock and I can still see it in my mind's eye today. That owl was wise and understood everything. That owl was a sage symbol of my inner fortitude and my recently obtained ability to drag myself out of psychological quicksand. That owl rock had divine power! I'm pretty sure my dad threw it away.

NOTE: Witches are like bats and opossums and are actually really great and don't deserve negative stereotyping. This tale takes place very long ago so I hope all the kind witches reading this will forgive my youthful ignorance and not curse me.

Directed by the great John Llewellyn Moxey (HORROR HOTEL '60) and co-written by Lewis John Carlino (A REFLECTION OF FEAR '72) and Sandor Stern (THE AMITYVILLE HORROR '79), the 1974 made-for-TV movie WHERE HAVE ALL THE PEOPLE GONE has occupied a large space in my brain ever since I was a child. I remember my entire family being excited to watch it the night it aired because part of it was filmed at our local grocery store. Having recently moved to California, the concept of seeing a familiar place on our television was still quite mind-blowing.

And who could resist such a title and premise? WHATPG tells the tale of the Anders family who spend their free time in the woods collecting rocks and fossils. One day mother bows out early and returns home but father Steven (Peter Graves), daughter Deborah (Kathleen Quinlan), and son David (George O'Hanlon Jr.) decide to explore a cave. While inside the cave, some kind of never fully explained solar flair type incident occurs and the outcome is that just about every human (who was not safely hanging in a cave) is turned to literal dust. The surviving family members are left in an eerie unpopulated world where they search for answers, their certainly dead mom, and general supplies, (at my then local grocery store) all while battling mad dogs and a few other stray survivors. Honestly, not much of interest happens but boy is it creepy and vaguely depressing. I found the movie particularly engrossing because I knew exactly what the Anders were going through as even at my young age, I had already experienced the death and demise of every living person on Earth myself (or so I thought)...

I'm sorry, this is a Trojan horse of a post. I'm not here to discuss the adventures of the Anders family; I'm here to talk about the time when I was 4 years old and my parents abandoned me on a beach. It's sadly true and I seriously thought that every single person in the world had died for some reason (I guess I was a pretty morbid 4-year-old).

Ya see, my family was vacationing at a beach house and sharing the joint with a few Aunts and Uncles and their kids. At some point, I was playing in the sand with my cousins, and all of the sudden I looked up to find I was completely alone. Where once there was laughter and commotion, suddenly there was a deathly silence; everyone had vanished. I went back inside the house and nobody was there either. Seventeen loud, squawking, clamoring people (six parents, and 11 children) had suddenly evaporated into thin air. I was alone and obviously, I would remain alone for the rest of my life.

I guessed I'd have to learn to fend for myself. How would I eat? I could make toast. I knew how to make toast so I did. I'd need money. My father had pennies all over his dresser. I was sure he wouldn't mind me grabbing some cash on account of he was dead. In some ways this was the first day that I became aware of myself thinking inside of my head, feeling myself as an individual rather than some brainless tentacle attached to my parents. It was scary and surreal and I felt like I had graduated from passenger to driver in my own body. I'm pretty sure time stopped and every dust mote began to glow like a firefly. I was a deep-sea diver in God's aquarium and I had to be brave and simply move forward through the invisible lava.

There was a store down the road where earlier my cousins and I bought candy ( sour apple laffy taffy?). Maybe I could venture there and perhaps find other survivors (thus began a cross between HOME ALONE ('90) & THE ROAD (2009) but I'm four, at least my mother tells me I was four; she wouldn't be above smudging the truth to make hes self look less culpable. I could have easily been three). I went on my arduous journey. I don't think I passed a single soul on the way to the store so I was very relieved to see a fellow human working behind the counter. I attempted to buy some candy but was told I didn't have enough pennies and that's when I lost it and began to cry like the baby I practically was. The cashier lady was rightfully mortified and wanted to know where my mother was. I told her my sorry tale and she agreed to walk me home (I didn't know the address but I could show her). Midway back she asked what my mother looked like and I pointed to a woman approaching and said she looked like her. And it was my mom! Not only was she alive, but apparently, she was also OK with showing her neglectful face in public again (at least I assumed it was my rightful mother- there's still a possibility that my entire family was abducted and replaced by pod people)!

THEY HAD ALL GONE TO A CARNIVAL. They took three cars and the occupants of each car for some reason assumed I was in another. Seventeen people and not one of them thought to count heads. They didn't even notice I was missing until they arrived at the carnival. In fact, they all stayed and enjoyed the carnival as my mom (perhaps begrudgingly) was sent back to find me on the open beach where she left me (I didn't know how to swim so luckily I didn't drown; I was too busy walking down the middle of a road- did I mention I was (theoretically) four?) Where have all the people gone? I don't know the answer to that but I can certainly tell you where my family can go as far as I'm concerned (and it's not to THE CARNIVAL. I kid, I kid. For the most part).

Eventually this story became a laugh riot legend within my family and I'm very happy to guffaw along. If anyone cared to notice though, there is no laughter behind my eyes, only a dark void and every once in a while a tell- tale facial tick hints at unthinkably monstrous ideas ping-ponging within my skull.  Let's face it though, my family has never been known for noticing subtle details (like missing children).

Thank you for letting me get that off my chest. Everything turned out fine (if you don't count the lifelong psychological damage).  Anyway, WHERE HAVE ALL THE PEOPLE GONE is prime seventies TV movie entertainment. Just be careful who you choose to watch it with. Some people can't be trusted.