
The ads for OLE (NIGHTWATCH) BORNEDAL's THE POSSESSION were so painfully generic that it wasn't difficult for me to decide it was less worth a two mile walk to the local theater than it was a three block walk to my nearest Red Box five months later. The signature image of a hand clawing its way out of someone's mouth was so yawn-worthy it easily nullified the SAM RAIMI "presents" credit. As much as I am happy to support horror films while they're braving the box office trenches, I don't think I was wrong reading this one as something more appropriate for a home viewing. At the risk of sounding cheap, the spending of $1.20 as opposed to $15.00 dollars undeniably puts me in a more forgiving mood, a mood that is only heightened when watching a flick alongside best pals beer, cats and quilt. This mostly standard movie deserves mostly standard complaints, clichés abound, predictability reigns and why oh why the soggy CGI? Still, I found it entertaining enough and there were a few elements that were genuinely satisfying. To focus on how unoriginal it ends up being is unoriginal in itself, so instead I decided to pick out five things that I enjoyed…




THE POSSESSION doesn't seem confident enough in itself to blaze more of its own trail because when it leans toward its own path it walks taller. I'm also taking off points for never showing the raccoon that invades the kitchen in CGI form or otherwise. See, there is a message for all of us here! Follow your individual strengths and never skimp on the raccoons!









































