kindertrauma

Author: unkle lancifer

Official Traumatizer:: Richard Lynch

Posted on By unkle lancifer

So there I was this weekend working on a post for BAD DREAMS when I found this Official Traumatizer nomination from reader FatherOfTears in my inbox….

RICHARD LYNCH gave me the creeps for many years in my childhood! He usually played bad guys in sci-fi films over the years, including the original BATTLESTAR GALACTICA and BUCK ROGERS IN THE 21ST CENTURY He has this evil look in his eyes and a sadistic grin. He may have had his best scary role in BAD DREAMS. In that movie he plays a cult leader who sets himself and his followers on fire! One follower survives and his ghost begins to haunt her when she awakens from a coma. Talk about irony: LYNCH himself was a burn victim in the late '60s! He had a bad LSD trip, poured gasoline on himself and then set HIMSELF on fire! He lived, but his face was all scarred up. He would later use this as an asset for his bad guy roles! So with this I nominate RICHARD LYNCH as an Official Traumatizer.

Is FatherOfTears psychic? The same exact thing occurred last week when I was writing about an episode of TWIN PEAKS and he sent another LYNCH nomination, in that case DAVID LYNCH. Kismet? The collective unconscious? How can anyone explain this phenomenon? Well, FatherOfTears consider RICHARD LYNCH an Official Traumatizer both because he earned it and because I now live in fear that you have direct access to my brain and will reveal to the world exactly what I did one moonlight night at Camp Wanahickee circa 1981!

Bad Dreams

Posted on By unkle lancifer

 

 

I don't know how it happened but somewhere along the line during these past two decades I fell in love with the movie BAD DREAMS. When I originally saw it, I remember being pretty into it but being distracted by its similarities to NIGHTMARE ON ELM STREET 3: THE DREAM WARRIORS and being more than a little perturbed by its pull the rug out from under you, swallow-its-own-tail ending. Now, those factors do not loom quite so large. I've come to terms with its questionable internal logic and those ELM STREET comparisons have greatly blurred. In fact, due to its relative restraint, in many ways, BAD DREAMS seems much less dated than its more successful and sometimes cloying cinematic lookie-likey.

It's nice to jump off the fence and declare my love, who was I kidding anyway? How could I continue feigning ambivalence when the truth was, over the years, I found myself watching it again and again. It's not perfect for sure, but perfection has always had an open invitation to bite me. Eventually I simply had to come to terms with the fact that it had a flavor and aroma all its own and that it was ready to stand up and be judged on its own terms. It's kinda sorta perfect in a way, a late eighties stand alone horror tale filled with pop psychology, retro tune-age and a cast I could send piles of stalker Valentines to.

It's like this see, creep-bomb RICHARD LYNCH is a scary JIM JONES-type, safe-trap house suicide cult leader who decides to fry his flock and drag them to the promised land. JENNIFER RUBIN (of NOES3) is the lone uncooked survivor who takes a coma nap for 14 years. She awakes in a hospital and is totally macked on by a doctor (BRUCE ABBOT of REANIMATOR fame ) who is really into beige sweaters. She is then forced to go to the greatest group therapy sessions ever assembled due to the fact her co-crazies include such luminaries as Keebler babe E.G. DAILY (ONE DARK NIGHT), uber-eyebrowed DEAN CAMERON ("Chainsaw" from SUMMER SCHOOL !) and a chain-smoking SUSAN RUTTAN (best known from L.A. LAW). Does it get better than this?

 

 

Of course LYNCH's character "Harris" begins to show up in RUBIN's increasingly messed up visions demanding her to return to the cult by offing herself. He also begins appearing to her newfound pals and starts forcing them to commit suicide to drive the point home. The scene in which he is first revealed in an elevator I think is a really well done scare and still holds up nicely today. RUBIN's presence still brings to mind Freddy's third outing, but I also think BAD DREAMS can sit snugly beside THE SENDER and even CANDYMAN thanks to its commitment to straddling "reality" and its main character's skewed version of reality simultaneously.

Director ANDREW FLEMMING was fresh out of film school when he took this project on, but his efforts are impressively slick especially considering the rather meager budget he had to work with. He went on to direct the, as far as I'm concerned, above reproach FAIRUZA BALK gilded mini classic THE CRAFT and more recently the hilarious HAMLET 2. Some movies you fall in love with at the get go and with some it takes years. Maybe it was I who had to grow up and shelve my Freddy comparisons to enjoy what BAD DREAMS has to offer. There I was all those years pointing my index finger and haranguing "You should be more like Freddy!" when I should have been basking in BAD DREAMS singular, thankfully zinger-less charms. I'm sorry BAD DREAMS; ya know what? I think Freddy should be more like you!

 

 

 

 

Kinder-News :: The Premio Dardo Awards

Posted on By unkle lancifer

Our buddy the ever-brilliant Arbogast (pictured above) of the incomparable ARBOGAST ON FILM was kind enough to bestow upon Kindertrauma a Premio Dardo Award. That's when you pick five fellow bloggers that you think don't stink and actually rule and tell everybody to go visit them A.S.A.P. Afterward the five you chose have to pick five of their own and so on and so on until who knows what happens. So in accordance with these rules here are five blogs that we love to death and think are deserving of the Premio Dardo Award as well….

DINER WITH MAX JENKE
Jeff Allard's lifelong commitment to horror is evident in everything he writes. This guy is a walking encyclopedia of knowledge and never fails to fascinate us with his insights. Currently he is doing a countdown of all the FRIDAY THE 13th films, so get there right quick if you know what's good for you!

SLASHER SPEAK
Speaking of the wise and knowledgeable Vince Liaguno knows his slasher flicks and adores the leading ladies that sometimes survive them. He's even written a book of fiction called THE LITERARY SIX which utilizes slasher themes, but takes them in directions you might never predict. If you are a fan of classic eighties slasher horror you'll feel right at home at Vince's pad.

MADE FOR T.V. MAYHEM
Second only to MEREDITH BAXTER-BIRNEY, Amanda By Night is the undisputed queen of the made-for-television movie. She's often bringing up stuff that I have never even heard of and I'm always amazed at how much she knows. She writes for just about everybody cool (Retro Slashers, Horror Yearbook and Pretty Scary), but MADE FOR T.V. MAYHEM is her super entertaining home base. If you feel like you've seen it all, stop by her joint and let her school you!

AWESOMENESS FOR AWESOME'S SAKE
He's often times not safe for work and he's not the type of guy you can bring home to mother, but if loving Mr.Canacorn is wrong neither myself or Aunt John want to be right. Who can turn the world on with a mustachioed smile? Who can take a nothing day and suddenly make it all seem so fricking awesome? Well it's Mr.Canacorn and you should know it! He's not right in the head, but if you've got the nerve he's got the verve. Awesomeness is just plain AWESOME!

FILM FATHER
Film Father is one of our favorite people out there and his site pretty much rules. Here is a review site that looks at films from a parental perspective and sometimes offers guidelines about what may be suitable for kids. It almost seems the polar opposite of Kindertrauma, but really it's not. In fact, now that his kid Dash is helping out with the reviews you can get a kid's point of view as it happens! How cool is that? It's not all greasy kid stuff though, FilmFather is an avid movie buff and his reviews of non-kiddie fare are some of the best out there, so EVERYBODY should check him out!

Official Traumatizer :: Reader FatherOfTears Nominates David Lynch

Posted on By unkle lancifer

Well, what can I say about Mr. LYNCH? He has done many "cringe inducing" scenes in his films over the years that sure as hell would have been traumatic for any kid who had seen his works. Hell, most of his traumas were seen by me as an adult! There are many, but several stand out in my mind. There is that "baby" in ERASERHEAD…

There is BLUE VELVET where DENNIS HOPPER whiffs some N2O before sexually assaulting ISABELLA ROSSELLINI. Right after that she goes after the guy she has hidden in a closet, KYLE MacLACHLAN, and she tries to seduce him!

WILD AT HEART has a bunch. There is WILLIAM DAFOE and his bad teeth assaulting a pregnant LAURA DERN and there is even the twisted mother played by (DERN's real life ma) DIANE LADD.

But for me, and many others, it would be his T.V. show and movie TWIN PEAKS that would be the killer. Early in the show LYNCH decided to cast his prop master, (some MST3K fans could call him a prop "diva"-sorry Beez!) FRANK SILVA, as the town evil spirit named BOB who tormented Laura Palmer for part of her life. That character was SCARY! Long gray hair and the evil sadistic grin! Who can forget the scene where Laura's cousin Maddy has the vision of BOB crawling over the couch to attack her…

And later when he did kill her it was, at that time, one of the most disturbing killings ever seen on T.V.!! Of course since BOB was an evil spirit, he had to inhabit someone to do his dirty deeds. In this case it was Laura's daddy Leland (RAY WISE). Now if you thought his Devil in REAPER was scary, you should see RAY as the possessed Leland! Who can forget the scene in the prequel FIRE WALK WTH ME where the possessed Leland berates Laura for her "dirty hands"!

There are of course, many others like the end of MULHOLLAND DRIVE which, B.T.W. ,would jump start the career of an actress who's daddy was once a Pink Floyd roadie. So with that and many others that are too many to list, I submit that DAVID LYNCH be an Official Traumatizer! Oh, did you know that GEORGE LUCAS considered LYNCH for RETURN OF THE JEDI?

UNK SEZ: FatherOfTears, you must have been reading my very Laura Palmer-esque secret diary recently as I have been on a mad DAVID LYNCH kick as of late. I was actually in the process of writing a post concerning one of the episodes of TWIN PEAKS that you mentioned when we received your request to honor LYNCH with the Official Traumatizer title. I'm not sure exactly how many actual traumas LYNCH has dumped on any of us in our youth, but seeing as TWIN PEAKS was on broadcast television, I'm sure there is somebody somewhere who caught it as a child and perhaps now resides in a rubber room. Speaking for myself, as a young adult I caught the episode "Lonely Souls" (the one you mentioned in which Laura's cousin dies at the hands of BOB) from the second season when it originally aired and I have to say, you are correct, it was indeed one of the most, if not THE most, disturbing things I have EVER seen on television. In fact I can't think of anything that has freaked me out quite so much since.

DAVID LYNCH as an Official Traumatizer? You got my blessing!

Note: Mr. LYNCH claims that much of his dark inspiration comes from a nasty and short lived time of his life spent in Philadelphia, the very city in which Kindertrauma Castle stands, we are so proud!

Traumafessions :: Unk on The Ghost of Flight 401 (The Book Cover)

Posted on By unkle lancifer

Your Unkle Lancifer has never had much love for the television movie THE GHOST OF FLIGHT 401. It's not a terrible movie, but it could never live up to the exaggerated expectations in my mind. You see, I remember the paperback book lying about in our house when I was young and its cover scared the living crap out of me. The image of the dead pilot, his eyes glowing white with imagined evil power seemed to fry itself into my skull and promise a demonic tale not unlike THE EXORCIST or THE OMEN. Based on the book's cover my young mind conjured up a story of vengeful spirits that pounced on passengers and strangled stewardesses rather than an ambiguous apparition eyed in an appliance; ERNEST BORGNINE was the furthest thing from my mind.

Looking at that book cover again as an adult still brings me back to the horror taunting mind frame of my youth. With the author's name in a tombstone font, the jet black ominous background and yes, of course, those horrible blank eyes, it reminds me of just how concrete and real the supernatural seemed to me back then. I recall imagining unknown forces around every corner waiting patiently for the slightest misstep on my part. In reality the tale of FLIGHT 401 is more eerie urban legend than outright horror tale. It's popularity was probably due more to its implied promise of an afterlife in which the dead might return to issue warnings to the living as opposed to offering them glimpses of hell as in the equally ubiquitous seventies paperback THE AMITYVILLE HORROR.

Much as with the AMITYVILLE case there are many who still question the authenticity of THE GHOST OF FLIGHT 401, but it's of little concern or comfort to me either way. In both cases it's not really the details of the story itself or the question of its validity that terrified the young me. The truth is, both legends, regardless of how familiar I was with them at the time, had the power to ignite my unknown fears and let loose the dark beast of my imagination. What kept me up at night were the phantasms that they merely inspired but that I myself planted and sowed. Consequently, even now when a film or book fails to send those harder to come by shivers down my spine I am left asking is it the art of storytelling that has died or is it just a little piece of my imagination itself that is resting in pieces? THE GHOST OF FLIGHT 401 may have never existed at all, but something tells me that the entity that book cover's illustration created within my mind still waits, biding its time…

Traumafessions :: Reader Alex B. on Little Monsters

Posted on By unkle lancifer

I'm pretty sure the 1989 FRED SAVAGE film LITTLE MONSTERS hasn't been brought up on Kindertrauma yet. I honestly can't remember much about the plot anymore. Maybe I was too scared of the monstrous HOWIE MANDEL as a four year old to even watch the entire movie. I remember it was supposed to be a film for kids, but what were they thinking?

From what I recall, the climax of the film takes place in this perverted children's playroom (always creepy), where the heroes are confronted by a child-like monster. Then they shoot something at his face, and it rips off, exposing a horribly disfigured face underneath. I think the idea was that the monster was just wearing a "human mask," but to a four year old such as myself, it was as freaky as the end of RAIDERS OF THE LOST ARK.

Who greenlights projects like this, anyway?

A Cold Night's Death

Posted on By unkle lancifer

A while back we received a "Name That Trauma!" of a television movie that took place in the arctic and featured monkeys. That movie turned out to be 1973's A COLD NIGHT'S DEATH (A.K.A. CHILL FACTOR). Well if there is one thing I like better than a snowy setting it is monkeys, so of course I had to track this baby down! Directed by NIGHT GALLERY alum JERROLD FREEDMON, and starring none other than ROBERT CULP (SILENT NIGHT DEADLY NIGHT 3: BETTER WATCH OUT!) and ELI WALLACH (THE SENTINEL), A COLD NIGHT'S DEATH is one made-for-television movie that literally delivers the chills.

The action takes place at an isolated research laboratory in Antarctica and involves pretty much only the two leads mentioned (unless you count those cute monkeys). CULP and WALLACH have come to replace the last scientist who worked at the outpost who apparently went mad and killed himself by leaving a window open and slowly freezing to death. The more time our inquisitive friends spend in the outpost, the more paranoid and suspicious they become, both of their surroundings and of each other. Something is definitely amiss and each night brings them closer to the truth behind what really happened to their predecessor.

It's a privilege to watch the events unfold slowly but surely while the director takes time to really get into the heads of our opposing leads. You might be tempted to choose a side between these two men who have widely divergent approaches to rationalizing the ongoing occurrences, but it's nearly impossible to do so. Both actors deliver straightforward, admirable performances and it's difficult to understand why this movie is not far better known for that reason alone.

The bleak snowbound atmosphere and palpable anxiety between the two characters will be familiar to anyone who has seen JOHN CARPENTER's THE THING, but here the action is almost exclusively psychological and there's nothing and nobody around to break the formidable tension. It's really astonishing how much is done with so little here, just two men slowly unraveling a mystery, but thanks to the sincerity of its leads and the director's deft hand at blanketing everything in dense atmosphere, this film leaves you with a sense of dread that is pretty hard to scrape off your snowshoes.

Although we mentioned the film's shocking reveal and startling final moment in that previous "Name That Trauma" post, I won't do it again here, but even if you are already privy to COLD NIGHT's final twist, the film holds up strongly as a thriller regardless. CULP, who at one point is locked outside the station in the freezing snow wandering about like a zombie with icicles hanging from his face presents an image of a man who has somehow transformed into a monster in a monster-less film.

The real enemy here, ultimately, is the human mind and its sometimes soulless search for more knowledge. Ironically, we come to find that the research on the monkeys inhabiting the ice station involved recording their responses while encountering fear, but by film's end it is our two scientists and the audience itself who might have more experience in that field. This is a quiet, subtle venture and the severity of the isolation shown will get to you eventually whether you resist it or not. I can't think of many films television or otherwise that so convincingly portrays the tightening noose of cabin fever or takes such cunning advantage of mankind's natural fear of the unseen.