I swear to God Iâ€™m not purposely trying to be the most unhip horror fan in the universe. Baby I was born this way. Iâ€™ve already stated my affection for crusty mansions, blood-stained doilies and cracked doll heads and now I must salute the incredible joy that is Southern-fried sud-goth. 1972â€™s DEAR DEAD DELILAH is like a soap opera with axe murders rather than commercials and itâ€™s my favorite thing Iâ€™ve seen since the last favorite thing Iâ€™ve seen. Some people think itâ€™s boring and those people have no idea what they are talking about. Really, Iâ€™m beginning to think that â€œItâ€™s boringâ€ is code for â€œThereâ€™s dialogue.â€ How can anyone not enjoy this movie?
Like all great stories, we begin in the past. In this case, we meet Little Luddy who is opposing her mother and preparing for an unapproved of date. She explains her actions to her mom who does not respond, not because she doesnâ€™t care but because she is chopped up with an axe. Years later an older, artsy Luddy (PATRICIA CARMICHAEL) is released from prison. She has nowhere to go but thanks to a fortuitous event (being hit in the head by a football!), she soon finds herself nursed back to heath and gainfully employed in a Tennessee mansion. The homestead is overseen by dying matriarch Deliah (AGNES MOOREHEAD) who has gathered her family together to divvy up the inheritance. Chaos, angry words and ultimately many an axe murder are the result when Delilah informs the congregated that the family fortune is hidden in the house and itâ€™s finderâ€™s keepers.
This being MOOREHEADâ€™s final film appearance, I was fully prepared for the phone-in routine. Oh, me of little faith. AGNES is as sharp as ever and devours every line with acidic relish and her southern accent adds an extra bite to her performance. Her mere presence is enough to satisfy but someone up there must like me because she is not only there but she is also there in a motorized wheelchair! There is one scene where Delilah wheels her chair into a mausoleum and then, after a momentary scream, the chair comes whizzing out by itself and that is when my couch officially turned into cloud nine. Sure, the plot and execution of D.D.D. dips into veritable camp at times but the shear darkness of its humor is too aggressive to dismiss. Just because the film is having some fun doesnâ€™t mean it doesnâ€™t take its horror seriously.
DEAR DEAD DELILAH was written by author JOHN FARRIS the mind behind THE FURY and itâ€™s sadly the only film he ever directed. At times it has the cardboard drive-in vibe of S.F. BROWNRIGG (DONâ€™T GO IN THE BASEMENT, DONâ€™T OPEN THE DOOR!) but its flashes of dreamy surrealism, and taste for broad soap opera theatrics also brings DAVID LYNCH to mind. It is a bit rough around the edges (me likey) but it truly accomplishes some striking moments of eerie weirdness. Best of all, the various deaths of the conniving family members are as strong as anything in BAY OF BLOOD or FRIDAY THE 13TH. My life was a little bit more complete seeing Grandpa Walton (WILL GREER) stumble out of a smoke house carrying one hacked off hand in the other. I feel I was always meant to see that.
Like BLOOD AND LACE (1971) and MANSION OF THE DOOMED (1976) both of which I just discovered recently, I think D.D.D. is a sorely undervalued film. Why, even my trusted Encyclopedia of Horror is a naysayer! I even read one review that called it â€œtypical.â€ Câ€™mon, can you really use a word like â€œtypicalâ€ to describe a movie that exhibits decapitations via horseback, a forced heroin overdose, unexplained random optical effects and an axe blade used for foreplay? I guess the inheritance gimmick is passÃ© but thatâ€™s just a springboard. Truth told, I would have liked to have gotten to know Luddy a little better but the fact that sheâ€™s such a unique proto-final girl is ultimately enough for me. I couldn’t help but dig that her post incarceration experiences resemble those of dear Norman Bates in PSYCHO II. Anyway, donâ€™t get fooled by the consensus and haters to the left, if youâ€™re like me, a fuddy duddy who likes it bloody, give this often sneaky and slightly creaky crazy train a ride.
BTW, you do not have to pay 100 bucks for a used VHS of DDD! I watched it online for free here….
(I love the “turn down the lights” option!)
The movie looks overexposed and sort of like it was dragged through a gravel pit but I call that added flavor!
I seriously loved this movie too. And even in the parts where the dialogue went on for an alarmingly long time I still dug it. I agree w/ your theory. Boring = dialogue and dialogue = interesting – in my book anyways. I was totally intrigued and amused the whole time. And I LOVED that end part where the football player guy was listing off all the names of the people who were dead and in the middle he’s all “and what’s her name.” That killed me. I loved that guy. I actually loved every character in that film. That drunk lady was hilarious. And that axe foreplay! OMG!
But I have one question. The young Luddy had, what looked like, an intentionally half closed eyelid on one eye and a giant fleshy mole over her lip – then suddenly when she got out of prison it was gone. Was that just the worst continuity job in the world of did she get complimentary plastic surgery while she was in the joint? I know you prob don’t have the answer – but I’m askin anyway.
Oh and I LOVED Grandpa Walton too!
Oh man, it’s been forever and a day since I’ve seen DDD. Thanks for the link to watch the movie online. It just may come in handy!
I LOVE Will Geer. What a treat he was in anything. Also, one of the Baldwin Sisters on the Waltons (Mary Jackson) starred in Terror at Red Wolf Inn. I won’t even go into Mary McDonough (sp?) Those Waltons got some horror roots!
Yes, I was perplexed by the disappearance of those distinct facial features too. I guess it was just a plot thread that was dropped. I would have preferred it if they used the same actress to be young luddy and had just put her in pigtails or something.
I adored Luddy I love how she becomes Agnes’s right hand man & the way she just stares at everybody at the dinner table.
Buffy was hysterical. The line about not being able to drink a martini w/o an olive was priceless and I love her line when confronted with the axe “But it’s so sharp!”
I thought Luddy’s dreams were really cool too. That scary superimposed mother face with the sparks flying off the axe being sharpening were very nicely done.
I feel the same way about Geer. Nobody has a voice like that! If only he could have stayed around during the age of the audio book!
It looks like the actor who played the hunky guy, Robert Gentry, went on to have a very long career in daytime soaps…
I saw that he was in All My Children starting in ’83 or ’84 and couldn’t place him. I watched that obsessively through jr high and into high school but I don’t remember him.
And yeah – the dream sequences were pretty genuinely creepy – as was that dingy old apt in the beginning. Such a bonus!
I wish I could have done a better job with the screenshots but it was a little frustrating cuz I could not pause it w/o there being a big triangle in the middle.
I love the opening with the drawings and all of Luddy’s art but it was hard to get decent images of them. I really hope a cleaned up dvd edition for this is made available some day. (I am very available for liner notes!)
Oh, & the hootenanny opening theme is boss too.
Plus, I shouldn’t fail to mention the best closing credits ever made…
I totally agree – in fact I have to say that I am just baffled as to why this movie is considered boring. It has so much.
OK, Iâ€™ve heard about this movie before but your review just sold me on it. The name Agnes Moorehead and the phrase â€œforeplay with an axe bladeâ€ had me interested, but the name Will Geer just sold the deal. Count me in as another fan. Allow me to add The Mafu Cage (a.k.a. The Cage, a.k.a. My Sister/My Love) as a suggestion. Thereâ€™s tragically little Geer in it but it makes up for it with lots and lots and LOTS of Carol Kane acting crazy.
Speaking of the Waltons, if it hasnâ€™t been mentioned before (and Iâ€™m sorry if it has), Youâ€™ll Like My Mother is a must-see. Richard Thomas hams it up as a villainous creep that couldnâ€™t be less John-Boy-like. He and the titular mother Rosemary Murphy run away screaming with this movie.
I forgot Geer was in The Mafu cage! I have to watch that one again soon . I think I was too young to enjoy/understand it the first time I tried. How can you go wrong with some Carol Kane?
I don’t think we ever did a proper review for “You’ll like my mother” but both me and AJ enjoyed that one too. We did include it in our “Happy St Patty Duke day” post a while back though…
and I think one of our dear readers mentioned it in our “Snowbound Horror” post back in the olden days…
I keep meaning to track down the novel that “You’ll like my Mother” is based on. I may have to sneak on over to Amazon right now…
Thanks for reminding me of that one. It’s the perfect antidote for this heat!:)
I fully agree: wonderful, low budget film! Definitely above average! Excellent acting: Moorehead (of course), but a special mention for Patricia Carmichael! The script is excellent. If there had been a bit more time and money, and better editing this might have received better recognition. As it is, it is more than good enough. As for the half closed eye on the younger, pregnant Luddy: she’d been beaten by her Mother! C’mon guys! ðŸ˜‰ It was swollen. Forget about the mole…it was removed in prison, ok? ðŸ˜ I would love a proper DVD release of this!
P.S. Happy Halloween!!!
P.P.S. Y’all do realize the “mole” was supposed to be swelling from the beating given by Mother…right? ðŸ˜
Great news! Vinegar Syndrome is releasing DEAR DEAD DELILAH on a Blu-Ray/DVD combo pack on August 28, 2018! Didn’t think I’d ever see this one reissued and restored. From the looks of the promo trailer, I think they scored a source print in very fine condition!