
Hello, beautiful, awesome, and brilliant Kindertrauma people!
My name is Matt Forgit. I’m the author of It’s Always Halloween Here, How to be a Professional Mourner, The Felicitous, and You Better Watch Out. I am also a longtime fan and reader of this amazing website, as well as a lifelong horror geek. In honor of my newest release, It’s Always Halloween Here, my friends here have graciously allowed me to write about the influences and inspirations for my writing.
Truth be told, although I write horror novels that feature slashers, ghosts, gore, and gruesome events, I am a giant chicken. I love horror and love to be scared, until it’s 3 a.m. I hear every noise in the house, convinced a serial killer or angry spirit has come to take me away! Yet there has always been something about the feeling of fear, dread, and fright that is exciting and inspiring to me. Horror explores many themes, whether it be emotional, mental, physical, or psychological, as well as allows us to release some of our fears.

I was a lonely, nerdy, uncool kid growing up. I did not have any friends, nor did I have an interest in typical “boy” things like sports or hunting (which is a crime as a boy in a small town). I was relentlessly bullied daily and felt like I didn’t fit in anywhere. (Note: Don’t get out your Kleenex for my sob story. I turned out okay. I have lots of love and support, and a good therapist, in my adulthood). Horror became home, and provided me comfort, catharsis, and excitement. Horror fueled my imagination, gave me trailblazing final girls to look up to, and a well of endless stories tied to mythology, folklore, urban legends, and campfire tales. Many of the things that influenced my writing share similar concepts and ideologies. I was really drawn to that terrible/wonderful feeling of fear, uncovering a mystery, learning how to be strong and fight back against enemies and evildoers, and characters who have friends, family, and a community. It was, quite earnestly, a savior to me as a young person, and my love for horror has only grown.
I like to call my books “B-movie schlock,” but I hope they’re also scary, nostalgic, distinctive, and heartfelt. With that, here’s what gives me inspiration!


Nancy Drew Mysteries. As a kid, I received The Mystery of the Glowing Eye as a gift, and that was all it took. Mystery, intrigue, the search for truth and justice, and a smart, capable, resourceful heroine? I was sold. Nancy broke the restraints of her time period and emerged as a resilient, inquisitive, and indefatigable sleuth, just like I wanted to be. I wanted people to call me and ask for my help in finding lost treasures, missing people, and to investigate haunted houses and spooky locales. I longed to be known as Matt Forgit, Boy Sleuth, but unfortunately, I was more Boy Dork, who loved pop divas, reading, and snacks.

Christopher Pike, R.L. Stine, Scary Stories to Tell in the Dark, Choose Your Own Adventures, and YA thrillers. I grew up during a magical time when I could go to my local bookstore, B. Dalton Booksellers, and find so many treasures, filled with terror, creepy locales, and events from the past that come back to haunt us in the present. Christopher Pike wrote teenaged characters who were taken seriously and had real feelings, thoughts, and personalities. R.L. Stine’s Fear Street kept me captivated with tales of young people in jeopardy and a cursed town. Scary Stories to Tell in the Dark not only had terrifying, vivid pictures that scare me to this day, like the ghastly visage of the woman in the haunted house, but the stories themselves were total nightmare fuel. Point and Scholastic steadily churned out new thrillers for young adults, turning everything from prom dresses, letters, lifeguards, and Jack-O-Lanterns into possessed, deadly foes. Choose Your Own Adventure would actually have endings where you, the reader, were killed. In one of the stories, my scuba companions and I were surrounded by tiger sharks, and, well, I did not appreciate that one bit.

USA’s Up All Night and Saturday Nightmares. Once upon a time, there was an incredible channel called the USA Network, which played B-movies on Friday and Saturday nights. Every weekend, I would stay up late to watch every terrible and amazing film they would play, many of which are classics in my heart. Spookies? I love you forever. Demon Wind? I would watch ten sequels to that. Doom Asylum? I could watch on repeat. Neon Maniacs? I want the backstory and trading card for every one of them. Dracula’s Dog? I want Dracula’s cat, hamster, zebra, and koala. I looked forward to every movie. These were made with no budgets to speak of, but with sheer ambition, determination, and passion, which is exactly what it’s like as an indie horror author. I’m not diving into my cellar filled with gold coins like Scrooge McDuck, though I can dream.

Friday the 13th Part 3. This was the movie that hit it all home. I begged my Dad to let me watch this on Fox Channel 5, a local station. It changed everything for me. I went from the light, kid-friendly horrors into the deep end of it all. A hulking, mute killer with no mercy or sympathy, an isolated location, and a very brave, determined final girl in the great Chris Higgins. Horror staples, that I didn’t know were staples back then, that are now time-honored traditions.

Friday the 13th: The Series, Monsters, She-Wolf of London, Tales from the Darkside, Freddy’s Nightmares, and Sightings. Syndicated series with small budgets but big imaginations and creativity, relying on unconventional methods of storytelling and talented writers, directors, and actors to tell their tales. Sightings, while the outlier on this list because it was presented as fact, filled my mind with “true” stories and mustachioed psychics, and I never questioned its validity. Horror was everywhere, from the mundane to the supernatural, and I loved it all. Cursed antiques, werewolves, killer dreams, aliens, cryptids, and more. My imagination sparked every time I saw a new story idea, folktale come to life, and clever way to tell a story to an audience despite limited resources.

April Fool’s Day and Chopping Mall. The first two horror movies I ever rented on VHS, and the first ones I ever saw that weren’t edited for television viewings. Likable, fun characters and groovy settings, threats lurking around every corner, and memorable dialogue and stalking scenes. Not to mention the great Amy Steel and Kelli Maroney, two women who have earned their place in the Final Girls Hall of Fame™.

Halloween, Killer Party, The Fog, Night of the Demons, and Black Christmas. Thanks to my local Mom-and-Pop video stores, I spent many hours perusing the eye-catching covers to so many videocassettes. However, some of the movies have stayed with me for many reasons. Halloween and Black Christmas showed me that horror doesn’t have to be loud or aggressive. Sometimes, it’s quiet, patient, and peeking around the corner. Night of the Demons is raucous, fun, and had no loftier goals than to showcase incredible, practical special effects. The Fog is moody, atmospheric, contemplative, and filled with creeping dread. Killer Party is three movies in one, featuring three engaging leads, especially my nerd queen Vivia. They all share one thing in common, though. They have style. They were made by people who cared about what they were making and put real effort into what they created. That is exactly what I want readers to feel when they read one of my books. Even if you don’t enjoy my work (though, in the words of Stephanie Tanner, “How rude!”), I hope it comes through that on each page, I put thought, effort, and care into every word and scenario.

I hope I didn’t lose everyone! There are probably about another two hundred movies, television shows, and books I could go on about, but I’ll simply give an “honorable mention” here to some of them. A Nightmare on Elm Street, The Strangers, The Texas Chainsaw Massacre, Popcorn, Prom Night 4: Deliver Us from Evil, Session 9, Scream, I Know What You Did Last Summer, My Bloody Valentine, The Changeling, Alien, The Others, Jaws, Insidious, Beetlejuice, Night of the Comet, The Conjuring, Clue, The Goonies, Gremlins, MST3K, Unsolved Mysteries, Twin Peaks, The X-Files, Buffy the Vampire Slayer, Jan Harold Brunvand’s urban legends series, and Weird N.J. have had great impacts on my work, for various reasons. Oh, and the Sleestaks from Land of the Lost. Those screeching, lumbering, green humanoids of horror. They showed me what true terror was, and I still hate them, but love them.
Thank you, Kindertrauma, for having me. And thank you, everybody, for reading! My new book, It’s Always Halloween Here, is available on Amazon, as are my other novels. Wishing everyone good health, love, happiness, success, and lots of spooky, creepy fun!

Hey Matt. Some good nostalgia there. Surprised the Hardy Boys didn't make the cut for you. I would say my love of the genre was inspired by the original Twilight Zone, The Outer Limits. The New Twilight Zone from the 80s's, One Step Beyond, Tales from the Darkside, Monsters the series, Tales from the Crypt, The Hitchhiker on HBO, Lost in Space, In Search of with Leonard Nemoy, Ripley's Believe it or Not, Poltergeist, Halloween 3, The 4:30 movie showing old Japanese Godzilla movies and Hammer films, Jaws, Creepshow the movie, The Thing, the original Body Snatchers, Twilight Zone the movie, Choose Your Own Adventure Books and those little Moby Books that gave a synopsis of larger books. Stephen King books like the Stand, Night Shift and Pet Cemetery had a ton of impact on me as well even though I was too young at the time to fully comprehend the existential dread he built.
My parents loved the drive-in on Route 22 in Union, NJ and from a tender age I saw some truly horrific movies from the back seat of our station wagon. The earliest traumas I recall were either the captain being swallowed whole by Jaws or Mad Max's partner's burnt hand jutting out from under the covers. I'm now very thankful for my parents' irresponsible movie going with my brother and I in tow, otherwise I would have missed some really great traumas that destroyed my childhood innocence. LOL
Now we are talking!
I had a similar childhood. Abusive parent, bullied frequently, and two of my refuges were horror movies on television, and Marvel Comics' X-Men and The New Mutants series.
I watched USA's Up All Night (and, before that, Night Flight and Commander USA) almost obsessively. I'm pretty sure my first viewing of Halloween II was an Up All Night screening.
Gilbert and Rhonda (and/or their producers) would dig up some of the weirdest fringe movies, along with more mainstream horror movies and t&a films (cut down), with a strong "where did this come from, and who the heck made it?" vibe to them. I'm thinking of Nerds of a Feather, Teenage Cat Girls in Heat (which was, intentionally, pretty funny) and Kill! Kill! Overkill! Watching Up all Night at 3am sometimes felt like a waking fever dream at times.
The host segments were great, too, like Gilbert being inducted as an honorary Ramone, or meeting Pinhead (played by, yes, Doug Bradley), or Rhonda lying in bed with Max Von Sydow (yes, that really happened).
Seconded on the Choose Your Own Adventure books, and various copycat series (I was too old for Goosebumps). I read those things avidly from, probably, 1982 through 1986, or so. The dark endings could be brutal. There's one I still remember, in The Statue of Liberty Adventure, where you are a kid who has time traveled to the Lower East Side in 1886, and you're kidnapped by a criminal (a Fagin type) and beaten severely until you agree to pickpocket to survive. Brutal!
I love, love, love The Fog, Killer Party (which is incoherent as hell, but so much fun), April Fool's Day, Friday the 13th, Part 3 (too young to see it in a theater, in 3-D, but a cousin did, and told me about the eye-pop scene) – loved all of them. I missed Demon Wind back then, somehow, but have discovered it since. The Alamo Drafthouse uses the great "kick-the-can" scene for one of their "don't talk, don't text" shorts. It's hilarious.
Loved Tales from the Darkside as well! Especially the Halloween episodes (I think Tom Savini directed one?). I didn't find much interest in Friday the 13th (although David Cronenberg directed one episode!) or Freddy's Nightmares (though Brad Pitt and John Cameron Mitchell made early career appearances). She-Wolf of London/Love and Curses arrived and disappeared too quickly for me to discover it.
bdwilcox – I was all into In Search Of… as a very young kid. I know now that much of the show was bad (maybe even dangerous) pseudoscience, but I didn't know that at the time. I still love the music from the show, and mp3 rips of the vinyl soundtrack LP aren't hard to find online. It's glorious 70s, funky, groovy, stock library music.
There is a rumor that one episode of In Search Of… used Brian Eno's music, but I've never been able to confirm this (if so, nothing from Eno is on the official soundtrack LP I mentioned). The entire run of the show is up on YouTube, and I occasionally run an episode for background noise while I'm doing other things. Haven't heard anything from Eno yet.
SmallDarkCloud – to this day, four musical scores creep me out. The music from In Search of, the theme from Tales from the Darkside, the theme from the HBO series The Hitchhiker and the theme from Dr. Who (whose making is a fascinating story unto itself).
I also forgot Which Way Books which were the dime-store versions of Choose Your Own Adventure books and, of course, all of the old horror-themed comic books series I was able to buy from my town's book exchange. There was also Twilight Zone magazine which had some amazingly creepy short-stories from some of the best horror writers around. And there was the occasional masterpiece that popped up in OMNI magazine.
Man, we had some good stuff back then.
Wow, Matt! I had to read twice to make sure I hadn't written this! Very similar experiences and horror favorites. I think you must be a bit younger than me as R.L Stine and Christopher Pike hit just after I was in high school. But I read the precursor anthology series Dark Forces and Twilight: Where Darkness Begins (not the vampire novels) which were very much in the same vein before moving on to King, Koontz and the pulpy Zebra horror books with the over-the-top embossed covers.
Being a horror fan in the 80s was such a great time. I lived for Friday and Saturday nights to devour Tales From The Darkside and Monsters, Elvira's Movie Macabre, Friday The 13th The Series, USA Saturday Nightmares and Up All Night, Night Flight and anything else horror or music related. My dad and I bonded over horror and weird cinema and would watch together; I remember going out with him late one Saturday night in search of something to rent and getting Chopping Mall from a hole in the wall convenience store that rented videos. Fantastic memories.
I forgot to mention – I also grew up in New Jersey (in Hudson County), though I live in New York (state) now.
I still avidly read Weird New Jersey and own every issue (the reprints for the early ones). I miss the days when I could buy the latest issue at Barnes and Noble. I order each new issue directly from Mark and Mark now.