Don’t you hate when you hear that somebody has died and then you go to sleep and later when you wake up you find out that they’re still dead? I do. Maybe I should consider a less passive course of action when confronting life’s unpleasantries but I swear, this sleeping and re-setting plan has worked on several occasions! In any case, I think Wes Craven would understand my logic. If you are a horror fan, I’m sure you’ve heard that yesterday Mr. Craven died. I urge you to seek out the words of those who actually knew him and worked with him. He was a true great and loved by many. All I have to offer is some remembrances of a lifetime of watching his films but luckily, around this joint, that’s what it’s all about. It would be virtually impossible to be a horror fan and to not be affected by his work.
THE HILLS HAVE EYES (1977)
This may not be Wes’ first film but it’s my first film of his. HILLS was a notorious late night staple in my house growing up back when there was six channels to choose from. Here in Philly I’m guessing it played after eleven on either Channel 17 or 48. The title alone would fill me with dread. I’m pretty sure I tapped out long before the end credits threatened to roll and I’m going to cite this movie as an early indicator that I worry about the safety of dogs more than I do human babies. Is that wrong?
SUMMER OF FEAR (1978)
As I recall, when this made-for-TV witch flick aired it was called A STRANGER IN OUR HOUSE but the big-boxd THORN EMI VHS tape I rented from STAGE DOOR video at the King of Prussia Mall called it SUMMER OF FEAR. This is one of my favorite Craven offerings and I suspect I’m not alone. Tame though it may be by horror standards this baby kicked off my life long love affair with both witch movies and usurper comeuppance flicks. LINDA BLAIR pouting in a fro with giant red blotches on her face is pretty much exactly what I picture my very soul looks like.
DEADLY BLESSING (1981)
One of my earliest and fondest experiences seeing a horror film in the theater and yes, I snuck in. Full review HERE.
LAST HOUSE ON THE LEFT (1972)
Ack. For years and years this was a very hard watch for me. For some strange reason even though this film is filled with brutal rape and murder the idea of a person being forced to pee in their own pants sticks out in my brain as the height of depravity. I can actually watch this movie fine now because I demystified it by reading a book about its making (by DAVID A. SZULKIN). The POV image used on some ads that featured the three attackers looking down upon the victim inspired a bunch of paintings I did in college (though I may have changed them to aliens) and even a Kindertrauma FULL HOUSE parody.
A NIGHTMARE ON ELM STREET (1984)
I had a horrendous drug experience as a teen. I can only pull it about half way out of the cupboard in my brain otherwise I’ll get freaked again. A friend and I were offered some pot and so we smoked it. We were then informed by the laughing psychotic who offered it to us that it was laced with angel dust. What then happened, for what seemed like forever, was hell on Earth complete with hallucinations and promises of death pouring out of the radio. It was an absolute nightmare and I think I got to experience my own death a couple hundred times that day. I tell you this because believe it or not, that experience was what came to my mind the first time I saw ANOES. Maybe I had post traumatic stress disorder or something but I assure you that I did not find Freddy Krueger a cute wise cracking anti-hero when I first met him. He scared the living daylights out of me. Freddy’s ability to bend reality and basically do whatever the hell he wanted (like fitting behind that tree! Like stretching his arms across an alley!), terrified me to no end and I basically half expected him to pop up in my very own, recently made unsafe dimension.
NEW NIGHTMARE (1994)
Wrote a review back HERE but mostly see above.
SCREAM and SCREAM 4 (1996 and 2011)
Yikes, that bad memory makes me want to wrap this up. In 1996 the horror genre was crying because it was basically in a boat not unlike the one it’s in today. Sure there’s always earnest and interesting indie fare guppies flopping about but who cares when you’re starving for a humongous game-changing fish? SCREAM was a serious breath of fresh air and even though it probably caused another rut to eventually come about, it also spurred a lot of great stuff too. All I know is that after I saw SCREAM I had to drag friends to see it too and that’s the best review I can give a movie. I don’t have to tell you about that opening scene! You know!
And I love SCREAM 4. The second one is darn good (besides the singing), I’m one of those people who don’t care for the third (Today I’ll blame the cinematographer) but I do love Part 4 (I probably explain why in this old review HERE and here’s an entire SCREAM-a-thon HERE.). I’m just sad (and a little greedy) that it’s his last.
Anyhoo, thanks for all the memories, Wes both good and bad and fond and not so fond. Craven brought so much to horror that nobody else could and he saw the value and meaning beyond the surface and made sure his audience did too. He was a chronically innovative artist and storyteller and he broke new ground and paved the way more times than he is given credit for. When he hit, he hit hard and when he missed he missed hard but the misses never stopped him from moving on and hitting that nail right smack on the head again like nobody else could. How many times did he revitalize the entire genre? What are we going to do without you Wes? Who will save us now?