Although it comes off as almost ramshackle at times, 1977’s backyard terror-tyke/zombie fest THE CHILD has
Director ROBERT VOSKANIAN does so much with an obviously minuscule budget. There’s a persuasive otherworldly tone throughout the film and almost every shot is creatively presented in a subtle off-kilter fashion. The entire movie is awkwardly dubbed and most of the dialogue is disjointed and askew but somehow what should be the film’s downfall ends up only adding to the overall hypnotic strangeness. There’s some kind of weird poetry going on in this grim grindhouse fairy tale that reminded me of LEMORA: A CHILD’S TALE OF TERROR but with less likable characters and a somewhat irritating soundtrack. As much as there’s plenty to find fault with, I can’t possibly pretend I’m not down with a rough around the edges killer kid flick. THE CHILD gleefully rides the same short bus as CATHY’S CURSE (’77), DEVIL TIMES FIVE (’74) and even KISS DADDY GOODBYE (’81) and so resistance for me is as they say, futile. My biggest complaint would be the handling of the protagonist nanny who becomes instantly useless when the shit hits the fan. I’m not sure I’d be much help in a zombie fight either but I’d like to think I’d do more than cover my ears (?) and scream.
THE CHILD is currently looking bright and crisp on Blu-ray as part of Arrow Video’s AMERICAN HORROR PROJECT VOL 2 alongside fellow independent obscurities DARK AUGUST and DREAM NO EVIL (reviews pending). It comes boasting a plethora of great bonus features curated by Stephen Thrower, author of the fantastic tome NIGHTMARE USA: THE UNTOLD STORY OF THE EXPLOITATION INDEPENDENTS. Thrower really knows what he’s talking about and is an enthusiastic, long-time champion of THE CHILD. I’m not sure everybody is going to feel the same way about this strange little movie but if you have a taste for homemade oddities, this is quite the semi-gory charmer. It truly does emit a bizarre frequency all its own and watching it is like being transported to a seventies-era drive-in. Sure, it requires that you forgive more than a few blemishes (most of them budget-related) but in exchange, you get an eerie killer kid movie wrapped in a zesty zombie flick and in my book, that’s two great tastes that taste great together. Come for the brat, stay for the undead!