Dear THE PRODIGY, this hurts me more than it hurts you. I hate writing negative reviews. I feel guilty afterward. Creating anything is admirable and dismissing someone’s hard work is not cool. On the other hand, I’d hate for people to think I’m a chump who falls for anything. Plus, maybe disliking some movies helps to accentuate the love you have for other movies? Hmm, maybe. I didn’t dig THE PRODIGY. It wasn’t my cup of tea. O.K., I hated it. Which is kinda crazy because I basically love all killer kid movies, even lesser ones like DADDY’S GIRL (‘96), THE PAPERBOY (‘94) and MILO (‘98). I should have been such easy pickins’! PRODIGAL SON couldn’t even sell me on the idea of reincarnation when I already pretty much believe in it. They actually changed my mind in the reverse direction. Now the idea just seems silly. I do now believe in emotional vampires though because THE PRODIGY left me feeling zapped out, tired and vaguely depressed. It’s a borderline distasteful joyless dirge. There’s no fun to be had here. It’s funless. My favorite thing about THE PRODIGY is that it makes me appreciate THE ORPHAN (2009) even more. THE ORPHAN is brilliant. Love that movie.
There’s gotta be something more positive I can say. I guess the cinematography is pretty slick and…consistent. JACKSON ROBERT SCOTT (who played Georgie in IT) is a decent actor, can’t blame him. The guy who played the hand-stealing killer (PAUL FAUTEUX) that the kid is possessed by was suitably creepy. TAYLOR SHILLING of ORANGE IS THE NEW BLACK plays the mom. I usually like her and know she can act but I don’t think the director (NICHOLAS McCARTHY who did THE PACT (2012)- which is great) did her many favors here; she mostly just makes distorted faces and strained grimaces. I’ll just point an accusatory finger at the writer (JEFF BUHLER, the same chap who wrote the PET SEMATARY remake that was only so-so) because there seems to be something wrong with this house on a structural level. For example, this movie gives away a juicy plot point that could have been saved for a later shocking revelation in its opening scene. It’s annoying. THE PRODIGY only has so much Halloween candy to give out and it’s like it gives half of the bowl to the first trick-or-treater that knocks on its door. Then it’s like out of candy before the night is over and soon all it can do is hand out pennies and coupons and gross Mary Janes. Maybe I watched this movie too soon after I viewed the wonderful UNDERWATER and it just paled by comparison? Would I like it better with a re-watch? Nah, I’m going to give THE PRODIGY my worst possible verdict by saying I’m never going to watch it again and I have no desire to buy a used copy of it from Redbox for $3.99.