Itâ€™s time we talk about 1977â€™s THE SENTINEL. Director MICHAEL WINNER (DEATH WISH, the crazy/awesome SCREAM FOR HELP) has an inelegant caveman-crude eye, lead actress CRISTINA RAINES is as animated as a Colorform, and the derivative sanctimonious plot even has the nerve to rudely sink into the police procedural zone for zero effect or reason. So why is the film so darn bizarrely effective? How does it spit in the face of everything one values in a good film and still achieve its primary goal of making me feel like life is a gross, indecipherable nightmare that will never end? I suppose that sometimes something can be inadequately done and yet still be so singularly weird and wildly wrong that it leaves a strong impression regardless. Itâ€™s like throwing a dart at a board, missing the board entirely but hitting a fly on the wall instead. I can roll my eyes all I want while watching THE SENTINEL but by the time it ends, I know Iâ€™ll be left feeling disturbed.
I guess all the church-y mumbo jumbo is meant to convince us that weâ€™re witnessing an epic battle of good vs. evil but thatâ€™s what they all say and I donâ€™t believe it. The only war I see going on here is the clash between superficial beauty (fledging super model RAINES) and the not so appealing (everybody else). I donâ€™t see RAINESâ€™ character Alison in any true danger throughout the course of the film but she sure does experience a lot of anguish and mortification when presented with the ill favored and unattractive. The â€œdemonicâ€ are presented as too emaciated (her dad) too plump (his cake eating lover) too old (BURGESS MEREDITH among others) and too gay (Lesbian neighbors SYLVIA MILES and a she-bopping BEVERLY Dâ€™ANGELO). The filmâ€™s climax provides a large print version of the subtext with a full on parade of individuals with actual deformities representing the denizens of hell. Due to multiple suicide attempts, Alison is damaged goods too (at least in the eyes of the church) and her punishment (or honor?) is to freeze and crack, lost in a loop forever fighting to keep the â€œuglinessâ€ at bay. Sheâ€™s not the first. She wonâ€™t be the last.
Weâ€™re told that Alice has brought her torturous predicament upon herself by rejecting God and from what we see, God is not a fan of rejection. Yes, her brownstone apartment is the doorway to hell but thatâ€™s what she gets for dissing marriage and desiring to live alone. Donâ€™t get me wrong, I donâ€™t mean to bash THE SENTINELâ€™s archaic view of damnation or maybe I do, but itâ€™s with the knowledge that the filmâ€™s shallow piousness is its discomforting strong suit. Still, I canâ€™t help sensing that Aliceâ€™s main anxiety is that atheism makes you less attractive. THE SENTINEL is usually accused of being an also ran in the religious horror movie craze of its time. It may look like that duck and quack like that duck, but itâ€™s really just a neurotic swan swimming on lake shame. It doesnâ€™t get close to the artistry of the films it is often compared to but its fervent condemnations and Alisonâ€™s relentless self-flagellation are nothing to sneeze at either. Just because an axe isnâ€™t sharp doesnâ€™t mean it canâ€™t do damage.
Somehow even more fascinating than THE SENTINELâ€™s grotesquely simple view of humanity, hilariously crude post dubbing, cinder block lead actress and squeamish fear of the flesh, is the filmâ€™s mind-boggling extensive supporting cast. Nearly every person you have ever heard of makes an appearance and somehow new people seem to show up in it each time you watch it. Itâ€™s just ridiculous really and I refuse to list them all. Just when you think youâ€™ve seen everything, TOM BERENGER and NANA VISITOR appear, eager to sign up to be the next victims. The fact that this film acted as such a weirdo magnet confirms my suspicion even further that there is something truly unnatural going on.
The truth is, I could stare at this movie like a zombie forever and Iâ€™d still be baffled. How was this movie ever made? How can such nonsense be so creepy? How is this not Italian? Based on a once popular novel by JEFFREY KONVITZ, THE SENTINEL may not hold a candle to THE EXORCIST in exploring good vs. evil but when it comes to exploring the sickness of dividing people into â€œdesirableâ€ and â€œundesirable,â€ (intentionally or not) it excels. I guess in the end it really does have something to say about religionâ€¦and I guess it ainâ€™t pretty.
Awww, I love Christina Raines. She’s so charming and pretty… And dude, she was on Riptide… Awesome.
I first saw the Sentinel on a local channel when I was growing up. They didn’t bother editing a second of it, and I walked on Christina’s dad doing nasty stuff… Wow. It was burned in my brain for years, although I had no idea what the movie was… This movie just goes there… and god, I love Christina’s apartment.
I like CR too but she doesn’t come across as all there. it’s like they hit her with a plank of wood before each take. It adds to the weirdness though.
I should say that Michael Winner is not exactly an actor’s director either.
The apartment is cool but I hate that sliding front door to the hall! It doesn’t look like it locks properly.
there is supposed to be an alternate TV version of The Sentinel that takes out every reference to the Catholic church and replaces it with a fictional brotherhood of some sort.
The movie already has the most clunky over dubbing I’m curious to see what it would be like with even more.
I was able to find the Sentinel house in Brooklyn on Google map…this is what it looks like today… I’m going to try and see it next time I’m there….
“but she sure does experience a lot of anguish and mortification when presented with the ill favored and unattractive.”
Unk, you make me laugh in ways I never knew I could laugh before. This review is freaking perfect. And now I want to watch it again immediately, as per usual (after I read one of your reviews). But this time I actually own a copy so it’s doable. Yay!
I do love this one even though (or because) it is so screwy.
But I also hate how the sky is always white and boring when they show the building…
I had to add menacing clouds to one of those images myself. That’s not my job!
Every household should own a copy like you but just in case, The Sentinel is also available on Netflix Streaming!
When you watch it, look out for the weird dub during the photo shoot where the guy is trying to catch a peacock and falls in the fountain…
“Here birdy, birdy…ugh!”
It’s really out of control. I had to replay it a couple times.
“inelegant” – really? I quite like and respect the Sentinel. It’s one of the few movies I’m afraid to show my friends because its sooo creepy. But I never considered the beauty = good, everything else is damned viewpoint.
It may ultimately work in the movies favor but I do find something lacking (or inelegant) in Winner’s visual stye. Luckily the house has great character but I’m not a big fan of how the director sets up his shots. The outdoor scenes come off as almost random to me. Then again, maybe some of that rawness adds to the “pretty vs ugly” thing I was sensing.
I agree though it’s supremely creepy and way more layered than I usually give it credit for. I never noticed that the long haired “demon” that Alison passes on the stairs is actually an ugly version of her younger self. I read that as being another example of her anxiety of being ugly on the inside.
Two quick things:
I have always been a sucker for this one (so much so that I read the sequel THE GUARDIAN and wished it would never end).
And when is Sylvia Miles going to get her due on this site? She always looks undead and creepy and weirdly grandmother-like. I can’t think of a more deserving honorary member of bygone traumas.
How is that Sentinel sequel? I read the first book but never got around to the second.
I’m not sure how to go about giving Sylvia Miles her proper due but nybody who appears in “The Funhouse” is royalty at KT.
Maybe we can have Sylvia Miles day. It’s too bad we did not think of this sooner because her birthday was September 9th and we just missed it!
Man, I’m gonna have to go watch this again… right now!
I read the book of when I eleven or twelve… right after I’d read The Exorcist.
All I remember is the depiction of the house having a lot of characterful detail. Other than that I expect it was as silly and sordid as The Exorcist (book) was. Even then the whole demon/devil/Hell motif wasn’t much scary to me… not being catholic or religious (though I found parts of The Devil’s Rain worrying…).
Also, at the time, the story reminded me a bit of Thriller’s ‘Someone At The Top Of The Stairs’ (Judy Carne!).
Still, I’m curious now that I hear there was a sequel…
Unk, the sequel book has a really bizarre and wonderful twist at the end. I read it a few years ago and my tastes have matured, but I’d love to try it again. All I can really remember was liking the twist at the end, and I remember the pages just flying by with ease. Could be a different story now, but hope it holds up.
I just ordered a copy from Amazon. I gotta find out what happens next and happiness is a seventies supernatural paperback.
Ok, now the pressure’s on me for you to enjoy it. I have the same attitude about seventies occult paperbacks so it was alive and kicking in the water from page one. PLEASE report back with a review.
1) Colorform or not, CRISTINA RAINES is HOT in this movie – just a beautiful woman.
2) I have a semi-traumatic SENTINEL memory from childhood. My brother had a ragged copy of the Ballentine paperback version of Konvitz’s book. It had a priest on the cover and a little window above the priest’s head that contained the head of moaning, white-eyed, bearded hippie-type. When you opened the book you could see that the bearded hippie-type was in hell and surrounded by many, similarly dead-eyed zombies. It was very cool and scary and, while I never read the book itself, I found myself staring at the cover and it’s “hell” insert for unhealthy amounts of time. Thanks for the memories SENTINEL!
Raines is a looker. In fact she reminds me a bit of Susan Dey. I do think she’s stiff in this movie but I will give her NIGHTMARES (1983)-she’s way more natural in that and I sympathize with her late night cigarette run.
The book cover for “The Sentinel” has got to be one of the best & scariest ever.
First of all, I LOVE those opening window horror covers…and that image of the white eyed hippy guy in the twisted hell orgy is terrifying.
I don’t know if it’s from being a kid in the seventies right after the Manson murders or not but that image has always freaked me.
While ROSEMARY’S BABY and THE OMEN are much better movies overall, I’d have to say that for me at least, THE SENTINEL is ahead of them in terms of sheer scares. CR’s night-time “date” with her father is really frightening and disturbing. Still doesn’t touch THE EXORCIST in those departments, though – nothing does.
That movie scared the C-R-A-P out of me when I first saw it, and believe me, I’m not easily frightened. Two scenes in particular freaked me out, but I wouldn’t dream of spoiling them — they’re not that hard to guess once you’ve seen it. Yikes!
I’m re-watching this right now because I’m about to write a review, and I made the mistake of reading other people’s reviews even though, while I love this movie, I’m already having a hard time thinking of what to say about it, but, I have to say that “How is this not Italian?” seems to sum it all up!