I love watching winter-set horror films in the summer for a little mental relief from the heat but I also love to watch wintry horror flicks in the heart of the season when they are the most relatable. Come to think of it, I also dig them in fall and spring so I just took a long time to say I enjoy them all year round. Recently I popped in an old double VHS tape of Stephen Kingâ€™s STORM OF THE CENTURY, which I enjoyed when it first aired and I found myself surprised at just how well it has aged. Itâ€™s truly chilling, has atmosphere you can cut with a knife and is filled with so many interesting characters performed by a cast of truly talented actors. Thereâ€™s also a phenomenal central villain, a runtime that provides full immersion and a rather nasty moral dilemma that could leave you with frostbite. King himself has called it his personal favorite of all the television productions based on his work and Iâ€™d totally agree if not for the fact that SALEMâ€™S LOT (â€˜79) exists.
A small town is presented in full frenzy as they prepare for an oncoming winter storm. I can tell you from experience that New England storms are especially fierce when you reside by the ocean, as is clearly the case with fictional Little Tall Island (which weâ€™ve visited before to meet DOLORES CLAIBORNE). Enter Andre Linoge (a perfectly unnerving Colm Feore) who begins offing oldsters with his wolf-faced cane, causing suicides, revealing everyoneâ€™s darkest secrets and leaving graffiti everywhere that says, â€œGive me what I want and Iâ€™ll go away.â€ I donâ€™t want to reveal what tree this dog is barking up but I will say that I have a psychic hunch that Shirley Jackson would give his wicked proposal a big thumbs up.
Helping to make the horrific circumstances all the more harrowing is the fact that those caught in Linogeâ€™s crossfire are played by cream of the crop character actors like Jeffrey DeMunn (THE BLOB â€˜88, THE GREEN MILE â€™99), Julianne Nicholson (personal fave THE OTHERS (2000) & Emmy award winner for MARE OF EASTOWN in 2021), Becky Anne Baker (the mom from FREAKS AND GEEKS! She’s excellent) and even good old â€˜80s staple Casey Siemaszko (THREE Oâ€™CLOCK HIGH, STAND BY ME). Some may be surprised that Tim Daly, best known for the sitcom WINGS is wonderfully nuanced, earthy and relatable as the troubled, narrating lead, but anyone who has seen 1988â€™s fatal witch attraction flick SPELLBINDER knows the score (plus, who doesnâ€™t amongst us want to support Tyneâ€™s bro?).
Director (and former stuntman), Craig R. Baxley would go on to bring other Stephen King teleplays to the small screen (ROSE RED (2003), KINGDOM HOSPITAL (2004)) but heâ€™s best at his game here juggling compelling performances, creating a believable town to get lost in and throwing out striking imagery (with the help of cinematographer David Connell).
Iâ€™d even say you could take this in as a precursor to the type of work Mike Flanagan (MIDNIGHT MASS) has been excelling at delivering to Netflix recently. Like Flanaganâ€™s output, STORM OF THE CENTURY helps to erase the delusion that the big screen is superior to the small, especially when weaving such expansive tales. Though a hit with ratings and critics alike, STORM OF THE CENTURY has seemed to fall toward the bottom of Santa Stevieâ€™s bag of horror toys but Iâ€™m of the thinking it deserves to be much more appreciated. Personally, I think itâ€™s the gift that keeps on giving. It’s top-tier Stephen King in my book.
Totally agree! I loved this when it aired on ABC in the late 90s. Super stuff from a super cast. That ending was big gut punch, too.
Between this miniseries and the made-for-TV version of The Shining, I like to imagine that Joe and Brian Hackett from Wings are part of the King multi-verse. Maybe Tom Nevers Field is on the other side of Little Tall Island?
It’s been a while since I watch this, so I’ll have to go back and check it out soon. Rose Red, too — which I didn’t much like when it aired, but that was 20 years ago! Tastes change, maybe I’m still catching up to it.
It’s a shame I can’t find this on any streaming service, free or paid. 🙁
The full movie is available on YouTube for free. And I saw a recent interview with King where he put his stamp of approval on watching it there since it’s not available anywhere else and he’s quite proud of it!
Normally, I don’t like to pirate things but if that be true, to YouTube we sail! Yar, matey, hoist the sails and batten down the hatches. (Puts on eye patch and fake parrot.)
I might rent this from my friendly neighborhood video store — Cinefile Video in LA — this weekend.